Gardar Eide Einarsson,
Matias Faldbakken
Gardar Eide Einarsson: Perhaps we could start by talking a bit about form: It seems to me that some artists…
Magazine Articles
Gardar Eide Einarsson,
Productive Contradictions
“Reality changes; in order to represent it, modes of representation must also change. Nothing comes from nothing; the new comes…
Öyvind Fahlström
Cultural transgression and a semiotic sensibility characterize the work, personae and positioning of Öyvind Fahlström, an artist who continues to…
Hyperreal, if You Like
The figures in the paintings of Sascha Braunig (b. 1983, Canada; lives in Portland, ME) and Avery K. Singer (b.…
Seth Siegelaub
Donatien Grau: You opened your gallery in 1964, when you were 23. What lead you to it? Seth Sieglaub: Before…
When Art Provokes You...
Just Blame It on Iran!
Art provokes! Sometimes it whispers. On certain occasions it shouts, but it rarely utters the same words to everyone. I…
Asian Insider: The Double-Axle Asian Arts Hub
The development of Hong Kong and Singapore in recent years has set the Asian art world debating as to which…
Marian Goodman
Donatien Grau: What was your entry into the art world? Marian Goodman: My entry into the art world was via…
Tomory Dodge
Brett Cody Rogers: You grew up on the Eastern slope of Colorado. How do you think the mountains and planes…
Ydessa Hendeles
Alexander Ferrando: You typically offer no didactic interpretation of your shows. Yet you meticulously assemble the many disparate elements. What…
Ask Marina
I met Yvonne Rainer for the first time in 1975, when I invited her to see my performance Freeing the…
Cai Guo-Qiang: Saraab
With works occupying eight rooms and featuring the exterior of the recently developed Mathaf, Cai Guo-Qiang’s first solo exhibition in…
Salla Tykkä
The principle player in Salla Tykkä’s film Airs Above the Ground (2010) is a white Lipizzaner stallion. As the film’s…
Libia Castro & Ólafur Ólafsson
A warning rather than an announcement, a reminder for all those in a coma of nationalism, Your Country Doesn’t Exist…
Virginia Overton
Tim Saltarelli: Your sculptural works employ an economy of materials, repurposing furniture, tools and building materials, often held in a…
Sanja Iveković
Roxana Marcoci: Your work came of age in the post-1968 period marked by student uprisings all over Europe, not least…