Nick van Woert
Julie Boukobza: Hey Nick, so how come you’ve never been to DIA:Beacon? Nick van Woert: There’s more to learn from…
Julie Boukobza: Hey Nick, so how come you’ve never been to DIA:Beacon? Nick van Woert: There’s more to learn from…
The artworks featured in “Djed,” Matthew Barney’s most recent show at Gladstone, could easily be mistaken for archaeological finds. On…
Everybody loves a good story. And by “good story” I am talking about a piece of scandal that usually involves…
Today’s world is not only about ideas. And that may be why Maurizio Cattelan, whose work has always consisted of…
With this intricately interwoven effort, Thomas Demand has raised the bar on curatorial practice to a level at which the…
David Everitt Howe: For the exhibition “Short Stories” at the Sculpture Center you presented, in part, paintings of .jpeg images…
Marco Scotini: Your last video works, from Untitled (The Remake) (2007) through to the beautiful Amnesialand presented at Manifesta 8,…
Rahma Khazam: “Intense Proximity” is the title of the triennial you are curating at Palais de Tokyo and other venues,…
The culmination in 1949 of the Indonesian National Revolution to gain independence from Dutch colonial power required the creative use…
Blake Carter: Over the last 28 years, your work has evolved from the figurative “Fan Painting” (1986-89) and “Portrait” (1989-92)…
Nicola Trezzi: You moved to New York in 1984, but when we went to Korea together I had the sense…
Heidi Zuckerman Jacobson: Tell me about the title of your exhibition at the Aspen Art Museum. Haegue Yang: The title…
Every time I meet with T.V. Santhosh, I cannot help but wonder how a person with such a soft-spoken and…
There have always been artists who required us to do extra homework to be ready for the full intellectual effect…
Interest in contemporary art has been moving toward the East. This survey aims to shed light on the leading museums,…
P & CO.: In 2010, P & Co. started with the intent to produce a community newspaper with a shifting…