Air de Paris / Florence Bonnefous and Edouard Merino
Donatien Grau: You first established your gallery in Nice. Florence Bonnefous: We first met when we were both students at…
Magazine Articles
The Prosumer Version
Appropriation is ubiquitous today — both as an artistic procedure and as a discourse. This discourse emerged in the late…
Kerstin Brätsch
Maurizio Cattelan: Ciao, Kerstin. Sorry about that before, I didn’t hear you coming. I’ve always got these things in my…
Ayşe Erkmen
Ayşe Erkmen’s distinctive process shows a commitment to long-term research-based projects that can be traced as far back as the…
Djordje Ozbolt
There is a perverse logic in setting up a conversation between old friends Djordje Ozbolt and Subodh Gupta. After staying…
André Butzer
John Newsom: Knowing that in 1993 you encountered both Asger Jorn’s Green Ballet (1960) at the Hamburger Kunsthalle as well…
Gerhard Richter
Let us think this thought in its most terrible form: existence (das Dasein) as it is, without meaning or aim,…
Marina's Diary
On October 8, at the Garage Center for Contemporary Culture in Moscow, I will be presenting for the first time…
Mark Barrow
Nicola Trezzi: How important is the process in your work? Mark Barrow: The process is as important as any…
Zak Prekop
Daniel Byers: Can you talk about the idea of absence in your work? There are often gaps (which repeat as…
After the Deluge
The waters in Piazza San Marco were rising the night of the official Venice Biennale opening, causing a mini flood…
Notes on Venice Biennale
A tale of a Nose Everyone talks of the high life, money, carousing and non-stop parties of Venice. I love…
Erika Hoffmann
Ellen Blumenstein: You are currently working on the new installation of the annual exhibition at your collection, which opened in…
German Institutions
Accompanying the second part of Flash Art Focus Germany is a survey devoted to German art institutions that play an…
Number Shows
Lucy R. Lippard’s first numbered show was “557,087” at Seattle’s World’s Fair Pavilion in September 1969, followed a few months…
Vladimir Nikolic
Maja Ćirić: Where do you see yourself “at home” in the art world? Vladimir Nikolic: “Home” is not stable in…