Ragnar Kjartansson
The final act of the opera The Marriage of Figaro (1786) culminates in a heartfelt reconciliation between the two main…
Magazine Articles
The Scottish Connection
Figurative painting in Britain over the past two decades is a story of fragmentation, of individual accomplishment that has never…
Katharina Grosse,
Frank Nitsche
Viktor Neumann: I would like to talk about the role of space and spatiality in your work. What role do…
Lynda Benglis
Alma Ruiz: I’d like to start our conversation with the present. I know that you’ve been working steadily since the…
Ana Prvacki: Wandering Band
Ana Prvacki’s practice corresponds to the late-capitalist service economy by mimicking its patterns of production, distribution and consumption, but with…
Nick van Woert
Julie Boukobza: Hey Nick, so how come you’ve never been to DIA:Beacon? Nick van Woert: There’s more to learn from…
Matthew Barney: Djed
The artworks featured in “Djed,” Matthew Barney’s most recent show at Gladstone, could easily be mistaken for archaeological finds. On…
On Underwear Makers and Popes with a Healthy Libido
Everybody loves a good story. And by “good story” I am talking about a piece of scandal that usually involves…
Maurizio Cattelan: All
Today’s world is not only about ideas. And that may be why Maurizio Cattelan, whose work has always consisted of…
La Carte D'Après Nature
With this intricately interwoven effort, Thomas Demand has raised the bar on curatorial practice to a level at which the…
Danna Vajda
David Everitt Howe: For the exhibition “Short Stories” at the Sculpture Center you presented, in part, paintings of .jpeg images…
Stefanos Tsivopoulos
Marco Scotini: Your last video works, from Untitled (The Remake) (2007) through to the beautiful Amnesialand presented at Manifesta 8,…
Remembering Okwui Enwezor: Intense Proximity Triennial, a conversation with Rahma Khazam
Rahma Khazam: “Intense Proximity” is the title of the triennial you are curating at Palais de Tokyo and other venues,…
The Sultans of Indonesian Art
The culmination in 1949 of the Indonesian National Revolution to gain independence from Dutch colonial power required the creative use…
Zhang Yu
Blake Carter: Over the last 28 years, your work has evolved from the figurative “Fan Painting” (1986-89) and “Portrait” (1989-92)…
Ik-Joong Kang
Nicola Trezzi: You moved to New York in 1984, but when we went to Korea together I had the sense…