High Entertainment
This excerpt is taken from the author’s online book High Entertainment which interprets the myriad destabilizations ushered in by the digital…
Magazine Articles
Rodarte
Maurizio Cattelan: I am going to ask questions about family because I imagine your creative process to be familial and…
Going to the Oscars
Working as a curator both with Francesco Vezzoli on his first international survey exhibition tour, and with James Franco on…
Lady Gaga
There is something rotten about the old ideal of sex, drugs and rock ‘n’ roll. Attending a concert of Lady…
The Architecture of Entrapment
The Berkeley Museum of Art and Pacific Film Archive is slated to reopen on January 31, with a new building…
Bitter Pills
As I write this, Marina Pinsky (b. 1986, Russia; lives in Brussels) is working on a show for Kunsthalle Basel.…
The Eternal: Far More like a Ruffle on a Dress than Some Idea
Right now, fashion is breeding with other industries more furiously than ever. The best new museums are connected to fashion…
Technical Explorations
When one endeavors to write about the painting currently being produced in a given country, it is very easy to…
Sherrie Levine
Museum Haus Lange in Krefeld is a monument of modernist architecture. It was built by Mies van der Rohe in…
Cinthia Marcelle
Júlia Rebouças: How did you begin to define your current practice? Cinthia Marcelle: I think it was during an artist…
Vishal Jugdeo
Elad Lassry: In your work there is a hardcore sense of “starting over”: narrative, characters, industries, language, object and meaning…
Lygia Clark
“…to write in this notebook is to reclaim ideas for myself.”1 To engage with Lygia Clark’s oeuvre is to explore…
Bernardo Paz
Luisa Duarte: In present-day Brazil, Inhotim is the place to see contemporary art: with works by artists like Hélio Oiticica,…
Goshka Macuga
Grant Watson: In this interview I want to focus on your works from 2009 and in particular three projects that…
Hannah Barry
Donatien Grau: You became a gallerist mainly for artists. Hannah Barry: I opened the gallery out of a sense of…
Dane Mitchell
Mercedes Vicente: After two busy years in Berlin and New York you returned to New Zealand for a residency at…