Brazilian Matrix
At Flash Art’s invitation, Renata Lucas, Ivo Mesquita and Adriano Pedrosa met to discuss art in Brazil. This informal conversation…
At Flash Art’s invitation, Renata Lucas, Ivo Mesquita and Adriano Pedrosa met to discuss art in Brazil. This informal conversation…
“Loop Line,” Anne-Julie Raccoursier’s exhibit at the Kunsthaus Langenthal, starts with a series of soap bubbles that lead to a…
Fernanda d’Agostino: Geometry, visual perception, geographic space, economics and sound propagation are some of the subjects of your work. Where…
“I don’t have any time machine, but I have an archive.” The words are spoken by Lydia van Vogt in…
From Flash Art International no. 251 November–December 2006 Hans Ulrich Obrist: In a previous conversation, we spoke about moving into…
Ben Vickers: Perhaps we could begin with a small overview of Russian cosmism as it relates to your recent work.…
Exit > Voice If 2011 with its uprisings, protests and riots was the year of #voice, 2015 might be…
For the 2012 Havana Biennial, Roberto Fabelo Hung erected a translucent screen alongside Havana’s Malecón seawall, superimposing ghostly, digital reproductions…
Why show the land? The question came to me as I exited “The Idea of North,” the Hammer Museum’s exhibition…
Contributive Farming The Old Field Farm rises on the northern slopes of the Catskills, in Greene County, New York, approximately…
Over the course of more than two decades Rudolf Stingel has brought to the fore an approach to painting that…
It was then that she summoned the spirits. In 1965 the English-born Bridget Riley broke from the traditions of painting,…
The entire oeuvre of Columbian artist Doris Salcedo is informed by a strong political commitment that relentlessly confronts us with…