Marina's Diary
There is a point in an artist’s life when she has to start thinking about leaving. It is not necessary…
Magazine Articles
Keeping It Real: Material Intelligence
A vast colony of ants is devouring the world. They make quick work of it. Britain doesn’t stand a chance,…
Renzo Martens: Enjoy Poverty
For two years Dutch filmmaker Renzo Martens traveled through the war zones and swamps of the African Republic of Congo.…
Thomas Hirschhorn
With his overloaded sculptural environments and uncompromising political sentiments, Thomas Hirschhorn has become one of the more influential artists internationally…
Brazilian Matrix
At Flash Art’s invitation, Renata Lucas, Ivo Mesquita and Adriano Pedrosa met to discuss art in Brazil. This informal conversation…
Anne-Julie Raccoursier
“Loop Line,” Anne-Julie Raccoursier’s exhibit at the Kunsthaus Langenthal, starts with a series of soap bubbles that lead to a…
Marcius Galan
Fernanda d’Agostino: Geometry, visual perception, geographic space, economics and sound propagation are some of the subjects of your work. Where…
Time Machine and Archive
“I don’t have any time machine, but I have an archive.” The words are spoken by Lydia van Vogt in…
SEA STATE 1: inside/outside
Plans to Escape
From Flash Art International no. 251 November–December 2006 Hans Ulrich Obrist: In a previous conversation, we spoke about moving into…
The Vagrant
A Fresh Start in Space
Ben Vickers: Perhaps we could begin with a small overview of Russian cosmism as it relates to your recent work.…
Liquid States
Exit > Voice If 2011 with its uprisings, protests and riots was the year of #voice, 2015 might be…
Havana Under Water
For the 2012 Havana Biennial, Roberto Fabelo Hung erected a translucent screen alongside Havana’s Malecón seawall, superimposing ghostly, digital reproductions…
From "Unmanned Lander"
North by Southwest
Why show the land? The question came to me as I exited “The Idea of North,” the Hammer Museum’s exhibition…