Lygia Clark
“…to write in this notebook is to reclaim ideas for myself.”1 To engage with Lygia Clark’s oeuvre is to explore…
Magazine Articles
Bernardo Paz
Luisa Duarte: In present-day Brazil, Inhotim is the place to see contemporary art: with works by artists like Hélio Oiticica,…
Goshka Macuga
Grant Watson: In this interview I want to focus on your works from 2009 and in particular three projects that…
Hannah Barry
Donatien Grau: You became a gallerist mainly for artists. Hannah Barry: I opened the gallery out of a sense of…
Dane Mitchell
Mercedes Vicente: After two busy years in Berlin and New York you returned to New Zealand for a residency at…
Marina's Diary
There is a point in an artist’s life when she has to start thinking about leaving. It is not necessary…
Keeping It Real: Material Intelligence
A vast colony of ants is devouring the world. They make quick work of it. Britain doesn’t stand a chance,…
Renzo Martens: Enjoy Poverty
For two years Dutch filmmaker Renzo Martens traveled through the war zones and swamps of the African Republic of Congo.…
Thomas Hirschhorn
With his overloaded sculptural environments and uncompromising political sentiments, Thomas Hirschhorn has become one of the more influential artists internationally…
Brazilian Matrix
At Flash Art’s invitation, Renata Lucas, Ivo Mesquita and Adriano Pedrosa met to discuss art in Brazil. This informal conversation…
Anne-Julie Raccoursier
“Loop Line,” Anne-Julie Raccoursier’s exhibit at the Kunsthaus Langenthal, starts with a series of soap bubbles that lead to a…
Marcius Galan
Fernanda d’Agostino: Geometry, visual perception, geographic space, economics and sound propagation are some of the subjects of your work. Where…
Time Machine and Archive
“I don’t have any time machine, but I have an archive.” The words are spoken by Lydia van Vogt in…
SEA STATE 1: inside/outside
Plans to Escape
From Flash Art International no. 251 November–December 2006 Hans Ulrich Obrist: In a previous conversation, we spoke about moving into…
The Vagrant
