Simon Fujiwara
Martin Clark: Your work is very autobiographical. Can you talk about why you use your personal history so prominently in…
Magazine Articles
Glenn Ligon
and Adam Pendleton
A conversation Adam Pendleton: What are you reading these days Glenn? Glenn Ligon: I started reading fiction again after a long…
Robert Barry
Peter Eleey: When you talk about your work you put a lot of emphasis on the variability of the context…
Jules de Balincourt
During the summer of 1888 artist Paul Sérusier sojourned in Pont-Aven in Brittany, France, following the advice of artist Paul…
Terence Koh
For years now we have been witnessing a reformulation of social and political postulates that were created during the ’60s…
Gelatin Vibrations
Bice Curiger’s “Illuminations” describes contemporary art as a recursive modernism that wraps pre- and post- together in one curatorial swoop.…
Marisa Merz
Very few exhibitions adequately follow Mies van der Rohe’s famous motto: “less is more.” But that statement perfectly describes Marisa…
Signature and Style
Anyone who has experienced a high school– or undergrad–level art program may look back at their painting or sculpture course and…
Carol Bove and Steven Claydon
Carol Bove: The editor who commissioned this conversation suggested we might talk about modernism, but I’m not really thinking about…
Heimo Zobernig
Sabine Folie: On superficial first glance one could call your work minimalist — what Clement Greenberg described as the look…
Jutta Koether
Kim Gordon: Let’s talk about Inside Job. Maybe we should explain what it is. Jutta Koether: I wanted to come…
La Grande Bouffe
Harry Lime, the cynical and diabolical character played by Orson Welles in The Third Man (1949), would have never imagined…
On Censorship
Over the last few months, we have witnessed several incidents of art censorship, assault and outrage instigated by a common…
Marina's Diary
As a performance artist, I always hated the theater. I didn’t think it was something real. Performance art is about…
Robert Fitzpatrick
Donatien Grau: You’ve had a very complete and fascinating career: from dean of students at Johns Hopkins University and member…
Circle the Wagons
Laura Mclean-Ferris: To begin this discussion about pastoralism, I’d like to ask about your most recent body of work, which…