Annette Kelm
Michaela Coffee Break (2009). Courtesy Johann König, Berlin. Thinking about Annette Kelm’s images is like thinking of a kind of…
Michaela Coffee Break (2009). Courtesy Johann König, Berlin. Thinking about Annette Kelm’s images is like thinking of a kind of…
From Flash Art International no. 140, May–June 1988 Although his adventuresome images and life are extraordinary, William N. Copley (1919–96)…
In the aftermath of the recent death of novelist, philosopher and semiotician Umberto Eco, I asked myself about the resonance…
We stand in solidarity with all black communities around the world. In the past years, Flash Art has been inviting various artists, thinkers and writers to rewrite or rethink the idea of blackness. Our “Editors Choice” does not aim to dictate an exhaustive or comprehensive list of writings but is an act of solidarity, which aims to contribute to the distribution of art thinking on blackness, and a way in which we can support the movement. Good reading!
Artist Bill Kouligas runs the Berlin-based record label PAN. Kouligas grew up in Athens, then worked in London as a…
Let’s start with purple. It’s everywhere in the work of Martine Syms (b. 1988, US): the backdrop of the video…
On August 15, 1971, on the day of the Assumption of the Virgin Mary, Richard Nixon untied the US dollar…
The group of New York writers who look like ’90s supermodels were having a cocktail they’d read about in a…
Within the Abrons Art Center classical theater setting, Leckey appeared, light in his step and with a microphone taped to…
Michele Robecchi: How did “Cornucopia,” the exhibition at the Oceanographic Museum in Monaco, come about? Damien Hirst: I love the…
Following the death of Italian novelist, semiologist and philosopher Umberto Eco, we have taken questions posed by Eco’s eponymous theory…
“Fragmentary writing is, ultimately, democratic writing. Each fragment enjoys an equal distinction. Even the most banal finds its exceptional reader.…
“Abstract” and “New” are two adjectives in this exhibition’s title that became sources of controversy by English critics, who accused…
Danae Mossman: In what ways does your work engage with the notion of individual agency amid the brand and ‘lifestyle’…
Laura Fried: You titled your recent solo exhibition at the Contemporary Art Museum St. Louis “Speech Acts.” Could you describe…
Christophe Boutin: You recently had a solo show in Prague. Could you tell me about it? Sean Micka: Yes, “After…