Idris Khan
Catherine Borra: You trace genealogies that link your personal position to a stream of histories. In your early works you…
Magazine Articles
Justin Mortimer
Family Dollar (2009). Courtesy the Artist and Master Piper, London. Photography by Anna Arca. In his introduction to The Metastases…
Einat Amir
Virginie Bobin: Ideal Viewer (2009), the performance piece that you recently did in New York, involved a Crying Woman, an…
Michael Cline
Nikola Cernetic: Recently you added some kind of sculpture-installation in your exhibition. Do you feel painting is not enough, or…
Los Carpinteros
Cromo (2009). Courtesy Habana, Havana. Merrily Kerr: What brings you to New York? Los Carpinteros: We’re designing the set for…
Reto Pulfer
Ognams, 2008. View of the performance at Liste, Basel. Courtesy the Artist and Balice Hertling, Paris. Photo: Alexis Zavialoff. Annette…
Mandla Reuter
The examination and alteration of the institution and the display of art — as inaugurated by such artists as Michael…
Alexandre Singh
Alexandre Singh is a new type of storyteller — a Wikipediast who sources his mind-bending stories from the web, following…
Oscar Tuazon
With titles such as City without a Ghetto, Glassed Slab, Panel, On a Hilltop, Catchment System, 1:1, Water Wall and…
Aaron Curry and Thomas Houseago
THOMAS HOUSEAGO: Let’s start with the fact that we just did two two-person shows. One was at the Ballroom Marfa…
Sterling Ruby
João Ribas: I’d like to begin by discussing this post-humanist condition underscoring so much of your practice — ranging…
Michelangelo Pistoletto
Giancarlo Politi: Do you think that art is fixed in time? I mean, what’s the difference between your first series…
Work
Hey guys, this is going to be one of the longest Instagram captions ever, but I guess I’ve been pushing…
Kris Martin: What’s the Time?
When commissioned by the Frieze Foundation to create a new artwork for last year’s Frieze Art Fair, Kris Martin (Kortrijk,…
Aaron Young
Hans Ulrich Obrist: I want to start by asking a question to do with your piece called Never Leave Home…
Wilhelm Sasnal
Andrea Bellini: Let’s start with mistakes. Do you ever destroy your works? Wilhelm Sasnal: Quite often. Sometimes I paint the…