June Crespo “They Saw their House Turn Into Fields” Museo CA2M / Madrid
Metal artifacts are arranged neatly against the walls: the spectator is surrounded. From this description, you’d be forgiven for thinking…
Metal artifacts are arranged neatly against the walls: the spectator is surrounded. From this description, you’d be forgiven for thinking…
“What am I? Which part of this body is me?” asks an animated figure in The Great Adventure of Material…
I’m a little lost without you / That could be an understatement / Now I hope that I have paid…
With great homogeneity of purpose, French artist Mimosa Echard’s work unfolds from one exhibition to the next in an ongoing…
How do we experience an artwork? For most readers, and for me, our eyes receive and process it, often in…
Bri Williams’s work drifts between feeling and intellect, eroding the distinction between the two into an embodied knowing and experience…
I relish that no one knows the time one may put into solitude. Yours, mine, alone. One’s interior life is…
In Alfatih’s exhibition “Day in the Life” at the Swiss Institute, the viewer becomes a new kind of observer: one…
Over the past ten years, Jordan Strafer has developed a body of work that interrogates dysfunction within American society. Through…
In my early twenties I worked as a gallery attendant at Dia:Beacon, where I was tasked with maintaining the precise…
Cole Lu has home on his mind when I call at the end of January. The Brooklyn-based artist is planning…
The concept of impossibility changes over time, reflecting larger shifts in consciousness and zeitgeist. What is probable becomes common and…
Seeping, oozing, metastasizing, Isabelle Andriessen’s bodily sculptures sit in an affective space between categories. They demand to be read through…
The reactionary, provocative, post-ironic It girl has emerged as the most influential figure on the New York art scene. Is…
For Dominique White, the sea is “a huge body, a living and breathing entity, that we don’t really understand.”1 We…
After our first protest, PAIN faced a common critique: “If the Sacklers are too dirty for museums, who isn’t?” We…