The Italian Trans-Avantgarde
Art is finally returning to its internal motives, the reasons which constitute its workings, its place par excellence, the labyrinth…
Magazine Articles
Fluxus
At the beginning of December 1961, John Cage explained a passage from his book Silence starting with La Monte Young’s…
Piotr Uklanski
Maurizio cattelan: The first exhibition… you had it in Denmark, right? Not in Denmark… so where did you have it?…
Marina and Ulay
Helena Kontova: You’ve been Conceptual artists, then you were Body artists, and now working together you talk about “Art Vital.”…
The Ultimates
Americans, like most other people, admire families who have succeeded in accumulating and preserving wealth. But it’s not just wealth…
David Salle
Robert Pincus-Witten: Are there important issues, or perceptions of criticality, that should be addressed in the discussion around your work,…
Hans Haacke
Hans Haacke: I never quite understood what my work has to do with Conceptual art, unless this label is applied…
Regarding Documenta V
Letter signed by Robert Morris written on the occasion of Documenta 5, published in Flash Art n°32-33-34, 1972
Lawrence Weiner
Lawrence Weiner’s special project for Flash Art n°28-29, 1972
Flesh Art
from Flash Art n°44-45, 1974
About Pictures
“Pictures” is the title I gave to an exhibition, organized for Artists Space in New York City in the fall…
In Memory of Sigmar Polke
The size of many of my pictures is 150 x 200 cm, 130 x 150 cm, 130 x 140 or…
Matthew Barney
Originally published in Flash Art no. 162, 1992. I was teaching… and the one thing that terrified me no end…
Peter Halley
From Flash Art n°150, 1990 Giancarlo Politi: Someone like yourself, an intellectual, self-possessed and reflective, can you enjoy the act…
Jeff Koons
Giancarlo Politi: I can’t imagine you in your studio, because many of your works are made in a foundry. How…
Gerhard Richter
Annunciation after Titian Is it only by chance that, as one of the few works that Gerhard Richter has quoted from…