Dietmar Lutz
It’s easy to think of Dietmar Lutz’s paintings in cinematic terms, in the first place because of their frequent references…
It’s easy to think of Dietmar Lutz’s paintings in cinematic terms, in the first place because of their frequent references…
Vincent Pécoil: With your objects based on the recycling of logos, what is your interest in using printed matter in…
Hans Ulrich Obrist: The interview happens now at the corner of rue Jacob and rue Bonaparte. Already this interview goes…
Hour-by-hour another filmstrip skirts across the opaque plastic surface. Never quite finding the image or images that I really need.…
For decades the ARS show has been the best Finland could offer in terms of global contemporary art. It started…
The world contained in Graham Little’s drawings is one of effortless luxury and beauty, a women-only world where the main…
Mario Garcia Torres leads a project-based artistic practice that is strongly yet freely anchored in a conceptual filiation. In a…
From Flash Art International No. 131 December 1986 That a symbol can mean one thing and at the same time…
The Berlin photographer Michael Schmidt’s work is some of the most significant and at the same time least well known…
Francesco Vezzoli: Let’s start with Caligula, the movie. What did you think when you saw it for the first time?…
Since the “founding” of Reena Spaulings sometime in 2004 a cloud of mystery has hung over the phenomenon. Who —…
Even though Dresden and Leipzig are not so far apart geographically, the quality of painting emerging from these two East…
As part of its journey through the major contemporary art centers worldwide, this issue of Flash Art International explores one…
La Force de l’Art,” the first edition of a triennial initiated by the French Ministry of Culture, opened in the…
In the footsteps of Pierre Huyghe, Philippe Parreno and Dominique Gonzalez-Foerster, who are among the leading mid-career French artists, and…
The subject of Douglas Gordon and Philippe Parreno’s new film, Zidane, A Portrait of the 21st Century, is a myth…