“Bananas are a contemporary mirror”. Maurizio Cattelan in conversation with Virgil Abloh
Maurizio Cattelan: You produce desire for your audience: How do you generate it? What moves desire? Virgil Abloh: In general,…
Maurizio Cattelan: You produce desire for your audience: How do you generate it? What moves desire? Virgil Abloh: In general,…
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
“And yet there is a sense in which the painter also creates a bed? Yes, he said, but not a…
It’s a new decade. One continent just burned and another is sure to. We are either at the precipice of…
What is at stake when doubt is our primary stance toward the world? “In Practice: Total Disbelief” at SculptureCenter stages…
It took Alice Channer a while to go to art school and start her BA. Part of the reason was…
Peter Nagy: In what ways does this new work depart from or elaborate upon work done by the Pictures generation…
“John Akomfrah […] said something that struck me, because I feel it’s at the core of almost everything that I…
“The Old Man and the Musical Score” at Temnikova & Kasela Gallery in Tallinn showcases works by one of Estonia’s…
Irena Haiduk’s “REMASTER” was inaugurated by the circulation of five hundred keys, which physically open an exhibition that otherwise remains…
Originally published in Flash Art International no. 329 February-March 2020 There are parts of our minds in which truth and…
A childhood photograph of Lynda Benglis in Greece wearing a fustanella — the traditional male uniform connected with the War…
“Theater of Operations: The Gulf Wars 1991–2011” at MoMA PS1 is a vast group show that won’t let you look…