Antonia Alampi / Artistic co-Director of SAVVY Contemporary and co-Curator Sonsbeek 2010-2024
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Light, noise, and motion form the nucleus of the career of Len Lye. This exhibition, spanning his early adulthood forward,…
Crises of language dominated the last years of both theoretical and artistic research of Aria Dean (b. Los Angeles, 1993).…
It is, no doubt, a measure of biennial oversaturation that one can be deemed a success by what it hasn’t…
A gold curtain shimmers from a flagpole and catches the light; crystals cascade in thin streams and reflect rainbows; sunrays…
GEA POLITI: Is there a particular reason why you switched from painting to photography after a while, like did you…
As art institutions adopt performance-based practices, artists, curators, and archivists are faced with new considerations about how to classify and…
In her 1975 poem “Liebestod,” Gwen Head writes of a girl on a beach who sunbathes with a glittering gun…
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Coinciding with the artist’s Tate Modern Turbine Hall commission, Sprüth Magers London presents the first retrospective of Kara Walker’s films.…
It is with immense sadness that we acknowledge the loss of Rebecca Horn, a pivotal and vital figure in the…
Writing in “The Spirit of Things,” the critic Barbara M. Benedict considers the rise of consumer society in relation to…
Since the mid-1980s, Nayland Blake has engaged the politics and aesthetics of identity in America. Biracial, queer, and gender nonconforming,…