Vincent Fecteau CCA Wattis Institute / San Francisco
In Vincent Fecteau’s most recent solo exhibition at the CCA Wattis Institute — his first show in San Francisco, his…
In Vincent Fecteau’s most recent solo exhibition at the CCA Wattis Institute — his first show in San Francisco, his…
The past eight months of political protest have left the administration of Hong Kong speechless. In failing to acknowledge its…
For its second edition, TOKAS Project invited Hong Kong Arts Centre and independent curator Yuk-Yiu Ip to present a media…
Halfway into Canadian sculptor Liz Magor’s exhibition at Marcelle Alix, I brazenly swung myself down on a plinth only millimeters…
Maguerite Humeau’s earlier exhibitions at the Palais de Tokyo and Nottingham Contemporary (2016–17) focused on what allowed the human species…
In Elaine Cameron-Weir’s “strings that show the wind,” three sets of paired sculptures stand, as if halted mid-procession, atop an…
In past interviews, Emily Mae Smith has described her current style and aesthetic as a result of her own experiences…
“We come from a heavily colonized country where they adopted Christianity. I saw the way [my grandmother] navigated her relationship…
Combining an impressive range of imagery drawn from YouTube, reality television, music videos, cartoons, documentary footage, and self-crafted animations, the…
Candice Breitz says she hasn’t slept all week. Yet, as I visit the artist in her studio in a long-gentrified…
In her legendary 1991 essay “The Cyborg Manifesto,” Donna Haraway described a world that many of us then dismissed as…
We stand in solidarity with all black communities around the world. In the past years, Flash Art has been inviting various artists, thinkers and writers to rewrite or rethink the idea of blackness. Our “Editors Choice” does not aim to dictate an exhaustive or comprehensive list of writings but is an act of solidarity, which aims to contribute to the distribution of art thinking on blackness, and a way in which we can support the movement. Good reading!
Composing Home In this time when we humans have become a geologic force, most of us live in increasingly…
“Landlord Colors” stages a comparative history of the art of sociopolitical upheaval, bringing together work from five far-flung locales during…
Like anything else, “Stinking Dawn” affects the way you see things as much as it reflects them, but it is…
Experiencing Ettore Spalletti’s solo exhibition at the NMNM’s Villa Paloma — spread over three floors and seven galleries — is…