Invulnerable Vulnerabilities: Life and Art in the Time of the Virus
Nathaniel Mellors: We should talk about some of your work and the exhibition you’re working on for the museum. Tala…
Nathaniel Mellors: We should talk about some of your work and the exhibition you’re working on for the museum. Tala…
Six hours before President Macron ordered the closing of every nursery, school, and university in France, in an attempt to…
If the stark, ascetic coda of Cerith Wyn Evans’s sculptures disintegrates under anything it is the sensuality of optics. Diluting…
“Redaction,” the current show by Liam Gillick at Casey Kaplan Gallery, New York, brings together a selection of key texts,…
Abstract painting has a long history in Sweden. Indeed, modern abstraction may have been first manifested in the painting of…
Recently, the life and work of Vivian Suter has been afforded an almost mythic quality. Born in Buenos Aires and…
Barbara Kruger’s work has come to represent a host of negative affects for art historians and critics, and it is…
Maurizio Cattelan: You produce desire for your audience: How do you generate it? What moves desire? Virgil Abloh: In general,…
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
“And yet there is a sense in which the painter also creates a bed? Yes, he said, but not a…
It’s a new decade. One continent just burned and another is sure to. We are either at the precipice of…
What is at stake when doubt is our primary stance toward the world? “In Practice: Total Disbelief” at SculptureCenter stages…
It took Alice Channer a while to go to art school and start her BA. Part of the reason was…