Lydia Ourahmane “Barzakh” Kunsthalle Basel
The correlation between one’s home situation and one’s life has been a tireless truism of this past year — and…
The correlation between one’s home situation and one’s life has been a tireless truism of this past year — and…
As part of our ongoing investigation of contemporary practices, the following pages discuss on the new project “Lemaniana,” opening at…
“Men are afraid that women will laugh at them. Women are afraid that men will kill them.” — Margaret Atwood…
I remember a team meeting at MACBA — it must have been around 2010 — in which the question of…
These days, it’s not hard to imagine a future in which we can no longer go outside — everywhere we…
Like clouds, abstract paintings invite our own inferences and preoccupations, showing us what we want to see. Pushing against this…
In “How to Disappear,” a song from her last album, Norman Fucking Rockwell!, Lana Del Rey leads us to expect…
When I was living three driftless years in Berlin, I, like all residents, new or otherwise, would have to register…
The systems of governance that Michel Foucault and Deleuze & Guattari taught us to identify as “sovereignty,” “discipline,” and “control”…
There is something fluid in dance. It lies neither in the quality of the action — obviously kinetic — nor…
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
To artist Lauren Halsey, South Central Los Angeles is the most creative place on Earth. Through her funk-inspired sculptures and…
When I was asked to write a personal perspective on a subject of my choosing, I began writing a critical…
Hypnagogic pop star Daniel Lopatin, thirty-eight, who performs as Oneohtrix Point Never, has just released his self-titled record Magic Oneohtrix…
Exploring issues of race and masculinity, Shaun Leonardo’s multimedia practice exposes and redresses the white supremacist power structures that oppress…