Baseera Khan "I Am an Archive" Brooklyn Museum / New York
The advent and proliferation of technologies that encourage practices of accumulating and storing information has precipitated a contemporary preoccupation with…
The advent and proliferation of technologies that encourage practices of accumulating and storing information has precipitated a contemporary preoccupation with…
As of late, “prescient” has become the preferred modifier for artist, Tishan Hsu. Indeed, as framed by the recent retrospective…
Hidden stories and marginal narratives have attracted Wu Tsang throughout her artistic career. The belief that history is nothing but…
Plank Piece I and II (1973), a black-and-white photographic diptych showing the young Charles Ray’s body pinned against the wall…
When Michael Fried published his notorious essay “Art and Objecthood” (1967), he likely did not expect “theatricality” to become such…
My first introduction to Berenice Olmedo’s work, which encompasses sculpture, performance, and installation, was a photo of the artist dressed…
My father recently told me how he often walks around the house opening doors and gazing into empty rooms. He…
When I think back on 2018 there is always something that feels misaligned — a disconnect between myself and the…
I usually say that an exhibition is not a book on the walls. For once, I was wrong. Zoe Leonard’s…
Born in 1986 in the suburbs of Paris, Julien Creuzet grew up in Martinique before returning to study in the…
There may be no greater act of resistance to the worsening global crises of illness and exploitation than to stop…
In Los Angeles, we never really see the sunrise. Instead, there is a time when the sky lightens, but our…
Colin Self is a mutable creature. Born and raised in a suburb of Portland, Oregon, with the disarmingly friendly name…
For the performance work Lord of the Flies (2021), Shuang Li remotely trained twenty performers, each following a script, to…
As part of his recent show at Sweetwater in Berlin, Kayode Ojo presented an ascending row of letterboxes, each opened…
Originally published in Flash Art International no. 133, April 1987. I met Helene Winer when she was still at Artists…