Jan Merta
Daniel Pitín: Mr. Merta, when we spoke together recently in my studio, I thrust upon you the idea that you…
Interviews
Huma Bhabha
Matthew Day Jackson: Do you think you are actively creating a unique formal structure for making sculpture, akin to Brancusi,…
Braco Dimitrijević
Hans Ulrich Obrist: I know that you started very early and were a wunderkind of sorts. So, I wanted to…
Taryn Simon
Jenny Schlenzka: In your work you keep tackling the idea of a shared reality and the possibility — or impossibility —…
Katja Strunz
Gesine Borcherdt: Your sculptures evoke the vocabulary of classic modernism: Constructivism, Suprematism, Minimalism — Aleksander Rodchenko, Kazimir Malevich, Robert Smithson.…
Navid Nuur
Christine Macel: Navid, I feel your practice is strongly embodied and rooted in the body. Navid Nuur: Yes, I work…
Jorge Macchi
Alejandra Aguado: I would like to begin by asking you about the relationship of your work to literature. It is…
Ostalgia
An interview with Massimiliano Gioni by Silvia Conta SILVIA CONTA: “Ostalgia” is the title of the show you have curated…
Ayşe Erkmen
Ayşe Erkmen’s distinctive process shows a commitment to long-term research-based projects that can be traced as far back as the…
Djordje Ozbolt
There is a perverse logic in setting up a conversation between old friends Djordje Ozbolt and Subodh Gupta. After staying…
Ragnar Kjartansson
The final act of the opera The Marriage of Figaro (1786) culminates in a heartfelt reconciliation between the two main…
Lynda Benglis
Alma Ruiz: I’d like to start our conversation with the present. I know that you’ve been working steadily since the…