Hallyu
Lately, the main buzzword around the South Korean cultural scene is “hallyu,” the so-called Korean wave. Pop music, soap operas,…
Focus
Ohad Meromi
In “The Sadness of Post-Workerism,” an essay by the anthropologist and activist David Graeber that Ohad Meromi shared with me,…
Gede Mahendra Yasa
Lucy Rees: Your work consistently touches on the philosophical and epistemological aspects of painting. Can you talk about the title…
Liu Wei
Reality: this nominal territory we all inhabit but which no one can own or control. Simply defined, “reality” is the…
Liu Ding
Self-awareness is a key feature of Liu Ding’s work — in many cases incessantly so. When you look at Liu…
Lee Mingwei & Charwei Tsai
Ephemeral implies that which is brief, transitory and short-lived. One experiences it in various forms on a daily basis, from…
Ronald Ventura
Lucy Rees: Your recent exhibition “Fiesta Carnival” at Primo Marella Gallery in Milan explores concepts of transgression and border dissolution.…
Ziad Antar
Christine Macel: You started with short, single-shot videos such as Tokyo Tonight (2003), in which a Lebanese shepherd comes from…
Uli Sigg
Bharti Lalwani: When did negotiations with M+ begin? What was the criteria for the selection of works? Uli Sigg: Around two…
Imran Qureshi
Lucy Rees: How did you first become interested in miniature painting? Tell me about your training. Imran Qureshi: When I first…
State of Emergency
It was the early ’70s when Henry Kissinger referred to Bangladesh as an “international basket case,” which in turn was…
Seung-Taek Lee
Hans Ulrich Obrist: I would like to ask about your epiphany, how it all started, how art came to you.…