Cao Fei: Overlapping Temporalities and Realities
Hou Hanru: When I first visited her studio, Cao Fei had just graduated from the art academy. Her parents were…
Hou Hanru: When I first visited her studio, Cao Fei had just graduated from the art academy. Her parents were…
Eleonora Milani: Let’s start from the beginning. How did you start dancing and become a choreographer? Has it been a…
“Carl Craig: Party/After-Party” (2020) is an ambitious multisensory installation by legendary Detroit-based musician, DJ, and producer Carl Craig, commissioned by…
Just days before the US election, as Americans were grappling with the fallout of a global pandemic, a summer of…
The most popular song of 2019/2020, “Dance Monkey,” is about mimicry, repetition, loops, and uncontrolled movement: Move for me, move…
Approximation “It is said that our eyeballs record the last thing we see before we die. That there is a…
The tropes of the horror genre — dread, terror, violence, trauma, monsters, and evil forces — constitute nightmarish plots specific…
I remember a team meeting at MACBA — it must have been around 2010 — in which the question of…
When I was living three driftless years in Berlin, I, like all residents, new or otherwise, would have to register…
There is something fluid in dance. It lies neither in the quality of the action — obviously kinetic — nor…
To artist Lauren Halsey, South Central Los Angeles is the most creative place on Earth. Through her funk-inspired sculptures and…
Hypnagogic pop star Daniel Lopatin, thirty-eight, who performs as Oneohtrix Point Never, has just released his self-titled record Magic Oneohtrix…
Exploring issues of race and masculinity, Shaun Leonardo’s multimedia practice exposes and redresses the white supremacist power structures that oppress…
“It’s almost an impression of how the character sees her environment, not how we would see it — or if…
I had planned to use the call to ask Nora Turato questions about typography — about the typefaces that she…
Almost a year after the death of Yona Friedman (1923–2020), we offer an excerpt from a text by François Roche…