Charles Ray
Umberta Genta: Do you have an obsessive personality? I can’t help wondering about it when I look at the extreme perfection…
Features
Llyn Foulkes
Maurizio Cattelan: This might not be the best way to start, but I have to ask you, what’s with all…
The Body Electric
Patrick Steffen: I recently spoke with Simone Forti about the legacy of postmodern dance, and she told me that one…
Conceptual Pop
Umberta Genta: What makes your work ironic, seductive and somehow serious at the same time? Stefan Brüggemann: Irony is another way…
Subversion through Inefficiency
One of the key concepts in Cruzvillegas’ work is “self-building,” which refers to the way that much housing in Third-World…
Domino Effect
Adriana Lara’s work unfolds an eternal, diachronic present in which concepts and positions constantly echo and redefine each other. The…
Ten Years after the Turmoil
Patricia Martín: Where did your philanthropic vocation come from? Eugenio López: It came slowly; mostly, I discovered it and learned it…
Tamayo's Reopening
Rita Gonzalez: Will you talk a little about the process involved in the construction and re-opening of Tamayo? How will…
In and Out
In the recent history of Mexico, 1994 was a seminal year. On January 1 the North American Free Trade Agreement…
Art is Not Enough
Olivier Zahm: You arrived in New York eleven years ago. What would you say to a young artist coming to New…
All Clothes Model's Own
A project by K8 Hardy
Crimea/Kids
Fashion is the Weather
Nicolas Ghesquière’s work at Balenciaga was first presented to me on the YouTube stage. I was face to face with…
SKX007 / SKX009
Sonic
