Leo, 35, 60, 179
In 1984, when he took part in the group show “Como vai você, geração ’80?” [How are you doing, ’80s…
Features
Adriano Amaral
Adriano Amaral’s delicate installations are grounded in the interpolation of layers, elements and moments of both experience and representation. Matter,…
I Went to São Paulo and Learned a Lot
OK, OK, so good-time summer isn’t entirely gone; it probably never really is. Sounds a little true and somewhat right…
Her Other Selves
For over a decade, Anna Maria Maiolino has produced a series of sculptural objects called Outros (Others, initiated in 2000).…
Beto Shwafaty
In the aftermath of the global financial crisis in the late 2000s, the international media seemed to give unprecedented exposure…
The Arts and the Multitude
If São Paulo’s contemporary art production is, for the moment, mainly centered on exhibition programs within a sprawling network of…
Accomplished Things
Bruno Dunley: When I first started to think about this conversation, it occurred me that a common ground I perceive…
Diango Hernández
Jade Niklai: Your practice reminds me of the ancient art of storytelling. Fact and fiction are consistently interspersed with meaning and…
Gianfranco Baruchello
Angelo Capasso: Hypothalamic Brainstorming, is the work that you chose for your participation in dOCUMENTA (13). The hypothalamus is a…
Bharti Kher
To experience Bharti Kher’s work is to enter a labyrinth of complex questions based on cultural misinterpretation, social structures and…
The Bikini Effect
According to many renowned local contemporary artists, Eastern Europe appears to be a rust zone filled with paint-striped concrete blocs, a…
Liam Gillick
Florence Bonnefous: What is your name? Liam Gillick: When I was growing up in the North London suburbs it was the…
Robert Irwin
Robin Clark: Let’s start by talking about a critical shift in your work, a transition from the gestural, textured paintings that…
Liquid Hells
German artist Anne Imhof recently staged a series of performances entitled School of the Seven Bells (SOTSB) at Portikus in…
Once We Were Human
There are no words on Xen. Occasionally, there’s an utterance, a fractured kind of cocky holler in its title track,…
Communication is the Enemy
Maurizio Cattelan: Are you comfortable making videos that are pretty borderline, morally? Neïl Beloufa: I create representations of the world,…