The Impalpable Citadel
Claudio Parmiggiani was born in Luzzara (Italy) in 1943. Those wishing to know where he comes from need only turn…
Claudio Parmiggiani was born in Luzzara (Italy) in 1943. Those wishing to know where he comes from need only turn…
If things work out Genius’s way, in a (hopefully short, they say) while we’ll forget all about Genius. Because it…
We stand in solidarity with all black communities around the world. In the past years, Flash Art has been inviting various artists, thinkers and writers to rewrite or rethink the idea of blackness. Our “Editors Choice” does not aim to dictate an exhaustive or comprehensive list of writings but is an act of solidarity, which aims to contribute to the distribution of art thinking on blackness, and a way in which we can support the movement. Good reading!
The video starts off simply enough: teen or pre-teen skaters of modest ability fly through a sunny, suburban context. They…
Evoking the memory of the late artist and designer Donald Tobias Wong (1974–2010) sometimes feels like bringing back to life…
Using commercial objects and ideas Pamela Rosenkranz (b. 1979, Switzerland; lives in Zurich and Bern) explores a halo of emptiness…
“That isn’t everyone’s reality.” Jack Latham (aka Jam City) is sitting at a table in a falafel restaurant in…
Following Andy Warhol The first thing a visitor to ArtStack sees is the line, “We want people to see more…
Although her work languished in relative obscurity form most of the 1990s and 2000s, Greer Lankton (1958–1996) was a seminal…
Turner Prize winners Jeremy Deller and Mark Leckey have respectively engaged with various aspects of popular and traditional British culture…
The beautiful people of this world wear their spandex leggings high-waisted and tight. The women wear their gleaming artificial hair…
When the exhibition “Earth Works” was held at Dwan Gallery, New York, in 1968, it had been two years since…
When Brazil suffered its great World Cup defeat on July 8, 2014, losing seven to one against Germany, its…
Michele D’Aurizio: In 2002 you organized a group show titled “poT” in the context of the Liverpool Biennial, which then…