Between Delight and Discomfort
How to jump on the information superhighway bandwagon? The past couple of years have seen dozens of exhibitions dealing with…
Features
High Entertainment
This excerpt is taken from the author’s online book High Entertainment which interprets the myriad destabilizations ushered in by the digital…
Rodarte
Maurizio Cattelan: I am going to ask questions about family because I imagine your creative process to be familial and…
Lady Gaga
There is something rotten about the old ideal of sex, drugs and rock ‘n’ roll. Attending a concert of Lady…
Bitter Pills
As I write this, Marina Pinsky (b. 1986, Russia; lives in Brussels) is working on a show for Kunsthalle Basel.…
The Eternal: Far More like a Ruffle on a Dress than Some Idea
Right now, fashion is breeding with other industries more furiously than ever. The best new museums are connected to fashion…
Goshka Macuga
Grant Watson: In this interview I want to focus on your works from 2009 and in particular three projects that…
Thomas Hirschhorn
With his overloaded sculptural environments and uncompromising political sentiments, Thomas Hirschhorn has become one of the more influential artists internationally…
Time Machine and Archive
“I don’t have any time machine, but I have an archive.” The words are spoken by Lydia van Vogt in…
SEA STATE 1: inside/outside
The Vagrant
A Fresh Start in Space
Ben Vickers: Perhaps we could begin with a small overview of Russian cosmism as it relates to your recent work.…
Liquid States
Exit > Voice If 2011 with its uprisings, protests and riots was the year of #voice, 2015 might be…
Havana Under Water
For the 2012 Havana Biennial, Roberto Fabelo Hung erected a translucent screen alongside Havana’s Malecón seawall, superimposing ghostly, digital reproductions…
From "Unmanned Lander"
North by Southwest
Why show the land? The question came to me as I exited “The Idea of North,” the Hammer Museum’s exhibition…