Maurizio Cattelan
Helena Kontova: You lived for almost a year in Germany, in Berlin. How was this experience and your relationship to the…
Helena Kontova: You lived for almost a year in Germany, in Berlin. How was this experience and your relationship to the…
In 1991, a conversation appeared in the Czech magazine Vitvarné umení (Visual Art) between Jirí David and a colleague of…
Amongst the artists who participated in this year’s Performa, Francesco Vezzoli created his first live performance entitled Right You Are…
Lina Bertucci: You’ve been working as an experimental filmmaker since the ’70s. You have an incredible breadth and range of…
The Art of Branding One show, more than any other, has been at the center of the brouhaha in LA…
The Bowery brings out a sentimental streak in New York. For decades the street was seen as a shady problem…
The purpose of this text is to investigate recent work by five artists embedded in the Mexican contemporary art scenes…
Maurizio Cattelan: Hello Matthew? Is that you? The phone signal is very bad. Is this a good time for some…
Paul McCarthy: When was Tulsa? Larry Clark: From ’62 to ’71. PM: Karen and I met in ’63. In ’66, ’67,…
Adam Szymczyk: Dear Cezary, Flash Art wanted me to ask you a couple of questions with the intention of publishing…
It may sound odd, but if you’re new to Oslo and its small but exquisite art scene, then Berlin is…
Beginning in 2006, New Zealand filmmaker Pietra Brettkelly filmed artist Vanessa Beecroft for sixteen months, when she was in South…
After Arte Povera work in the early ’60s and mid ’70s by Anselmo, Boetti, Fabro, Kounellis, Mario and Marisa Merz,…
Andrei Tarkovsky shot Nostalghia in Italy in 1982, away from the USSR, a country in which he could no longer…
Dying is no more than not being seen. (Fernando Pessoa) Gino De Dominicis was an extraordinary artist in terms of…
F for fair and BCAM for Broad Contemporary Art Museum As I write this, LA galleries are already preparing for…