Beyond Physics. A conversation with Pan Daijing
Andrea Lissoni: Let’s start from your new commission for Tai Kwun Contemporary in Hong Kong, “One Hundred Nine Minus” 一…
336 FALL 2021
Arts at CERN: Where Art Meets Science. A conversation with Mónica Bello
Over the past hundred years or so, artists and scientists have come to follow increasingly common paths, from exploration to…
Systemic Errors of Collective Intelligence. A Conversation with Agnieszka Kurant
Agnieszka Kurant’s complex conceptual practice can be described in many ways: as research into the invisible, as a study of…
Martine Syms “Aphrodite’s Beasts” Fridericianum / Kassel
Martine Syms’s video art, photographs, and autobiographical fiction are anchored by a first-person narrator — with all her potential for…
Nour Mobarak: Movements of Spheres for a Hybrid Economy of Desire
In installations with multi-channel sound sources, Mobarak mixes the words of her polyglot father, whose memory is failing, with the…
Los Angeles, July 2021
TW: this text contains graphic language about gun violence. I was born at Cedars Sinai in Los Angeles on September…
“La Mer Imaginaire (The Imaginary Sea)” Fondation Carmignac / Porquerolles Island, France
Imagining a direct dialogue with the sea while walking through the rooms of Fondation Carmignac, as the title suggests, is…
Free My Mind, Artpop: You Make My Heart Stop (For Lady Gaga)
It’s been a long time since I came around Been a long time but I’m back in town This time…
James Barnor “Accra/London – A Retrospective” Serpentine Galleries / London
Selina Opong, Policewoman #10 (c. 1954), in the crisp uniform of a new generation of professional Ghanaian women, stands to…
Bio-Hazard: Pakui Hardware
With an almost uncannily timely relevance, Pakui Hardware’s most recent body of work delves into remote healthcare technologies and services:…
Virgil Abloh “Figures of Speech” ICA / Boston
Two phrases reverberate like battling incantations throughout Virgil Abloh’s exhibition at ICA Boston, both from the video Peculiar Contrast, Perfect…
Materialist Invisibility: Art As Organic Development In Pamela Rosenkranz’s Work
In the nineteenth century, Karl Marx declared that the “engine of history” was the working class, ushering in revolutions. In…