Fantasies and Dissonance: A Conversation with Anne Bean
Since the late 1960s, British artist Anne Bean has been singularly dedicated to performance and relational art that exists in…
#328 Nov 2019–Jan 2020
“I’m nothing, I’m no one, I’m everyone, I’m dead!” Aria Dean
Crises of language dominated the last years of both theoretical and artistic research of Aria Dean (b. Los Angeles, 1993).…
Negative Space, Objects in the Absence of Performance
As art institutions adopt performance-based practices, artists, curators, and archivists are faced with new considerations about how to classify and…
Kara Walker Sprüth Magers / London
Coinciding with the artist’s Tate Modern Turbine Hall commission, Sprüth Magers London presents the first retrospective of Kara Walker’s films.…
The (In)Animate World of Rebecca Horn
Between 1968 and 1972, German artist Rebecca Horn created a series of performances titled “Personal Art.” Not unlike Joseph Beuys,…
Michael E. Smith Modern Art / London
Writing in “The Spirit of Things,” the critic Barbara M. Benedict considers the rise of consumer society in relation to…
Nayland Blake Institute of Contemporary Art / Los Angeles
Since the mid-1980s, Nayland Blake has engaged the politics and aesthetics of identity in America. Biracial, queer, and gender nonconforming,…
Nora Turato Serralves Museum / Porto
For her first solo exhibition in Portugal, Nora Turato drove her two greyhounds, Taco and Tuna, all the way from…
Jimmy Robert: Reworking Performativity
The work of Berlin-based artist Jimmy Robert (b. Guadeloupe (FR) 1975) is situated in the interstices between the art object,…
Sidsel Meineche Hansen Chisenhale gallery / London
“Welcome to End-Used City” continues Sidsel Meineche Hansen’s ongoing consideration of techno-capitalism’s stranglehold on biopolitics. The focus here is the…
Apertures of Queer Prophecy. Alex Baczyński-Jenkins’s Such Feeling
At the center of Alex Baczyński-Jenkins’s Until a thousand roses bloom (with Warsaw in the background) (2018) are two plots…
When You Mix Something, It’s Good to Know Your Ingredients: Modes of Addressing and Economies of Attention in the Visual and Performing Arts
The event-oriented neo-avant-gardes of the 1950s and ’60s were very much driven by an oppositional stance to the conventions of…
Image, performance, protest
Over the past decade, much has been written about the rise of performance in contemporary art’s institutions, with gargantuan architectures…
Vincent Fecteau CCA Wattis Institute / San Francisco
In Vincent Fecteau’s most recent solo exhibition at the CCA Wattis Institute — his first show in San Francisco, his…
Luke Ching Chin Wai | South Ho Siu Nam Blindingspot / Hong Kong
The past eight months of political protest have left the administration of Hong Kong speechless. In failing to acknowledge its…
FALSE SPACES TOKAS Project / Tokyo
For its second edition, TOKAS Project invited Hong Kong Arts Centre and independent curator Yuk-Yiu Ip to present a media…