Apertures of Queer Prophecy. Alex Baczyński-Jenkins’s Such Feeling

At the center of Alex Baczyński-Jenkins’s Until a thousand roses bloom (with Warsaw in the background) (2018) are two plots…
At the center of Alex Baczyński-Jenkins’s Until a thousand roses bloom (with Warsaw in the background) (2018) are two plots…
As art institutions adopt performance-based practices, artists, curators, and archivists are faced with new considerations about how to classify and…
The event-oriented neo-avant-gardes of the 1950s and ’60s were very much driven by an oppositional stance to the conventions of…
Over the past decade, much has been written about the rise of performance in contemporary art’s institutions, with gargantuan architectures…
In Vincent Fecteau’s most recent solo exhibition at the CCA Wattis Institute — his first show in San Francisco, his…
The past eight months of political protest have left the administration of Hong Kong speechless. In failing to acknowledge its…
For its second edition, TOKAS Project invited Hong Kong Arts Centre and independent curator Yuk-Yiu Ip to present a media…
Halfway into Canadian sculptor Liz Magor’s exhibition at Marcelle Alix, I brazenly swung myself down on a plinth only millimeters…
Maguerite Humeau’s earlier exhibitions at the Palais de Tokyo and Nottingham Contemporary (2016–17) focused on what allowed the human species…
In Elaine Cameron-Weir’s “strings that show the wind,” three sets of paired sculptures stand, as if halted mid-procession, atop an…
In past interviews, Emily Mae Smith has described her current style and aesthetic as a result of her own experiences…