#Touch Me I’m Sick
Fear eats the soul Of the two gigantic Buddhas that dominated the Bamiyan Valley in Afghanistan there remains nothing but…
Fear eats the soul Of the two gigantic Buddhas that dominated the Bamiyan Valley in Afghanistan there remains nothing but…
LIFE: A USER’S MANUAL Karl J. Volk, New York: I am afraid that I do not know who Maurizio Cattelan…
Maurizio Cattelan: You look great. Paul Chan: Thank you. MC: Before we start, I would like to give you something.…
We know all too well that controversy is a favorite sport of Italians. Unfortunately, we do not engage in the…
Originally published in Flash Art International no. 264, January – February 2009. Following an invitation from Flash Art, Klaus Biesenbach,…
Maurizio Cattelan: I will start with a quote: in a review of your show a year ago in Artforum you…
Valentina Sansone: You attended the Warsaw Academy of Fine Arts during the ’90s together with Katarzyna Kozyra and Paweł Althamer.…
Nine o’clock in the morning and I meet Ferran Adrià inside the Sagrada Familia. He tells me that he loves…
Maurizio Cattelan: So, you’re in Detroit at the moment? Hernan Bas: Yup, the house I bought up here is almost…
With his September 2008 auction at Sotheby’s, Damien Hirst cut out dealers and other art world middlemen, and went straight…
I am at the entrance to a famous Milanese club, Plastic. Along with Jacopo, I organize a party night here…
Maurizio Cattelan: Elad, I just ran into you in Milan, where you opened your first exhibition with Massimo De Carlo.…
This excerpt is taken from the author’s online book High Entertainment which interprets the myriad destabilizations ushered in by the digital…
Maurizio Cattelan: I am going to ask questions about family because I imagine your creative process to be familial and…
Maurizio Cattelan: Ciao, Kerstin. Sorry about that before, I didn’t hear you coming. I’ve always got these things in my…
Accompanying the second part of Flash Art Focus Germany is a survey devoted to German art institutions that play an…