Koo Jeong A “Land of Ousss [Kangse]” LUMA Arles
Koo Jeong A’s exhibition “Land of Ousss [Kangse]” feels oddly scattered. Contrary to what the title implies, it isn’t concerned…
Koo Jeong A’s exhibition “Land of Ousss [Kangse]” feels oddly scattered. Contrary to what the title implies, it isn’t concerned…
In “Degenerates, Monsters, and Traitors (1573),” Kristian Kožul takes a baroque scalpel to history, ideology, and trauma, assembling a theatrical,…
Rome, Paris, Manchester, Riyadh: four cities trace the trajectory of a curator who has made transdisciplinarity and innovation his signature.…
“A garment, a pin, a seam, a shield” at Phillida Reid is a thoughtfully composed exhibition that attends to the…
At M Leuven, the solo exhibition “A History of Touch” by German-British artist Grace Schwindt offers an unusually intimate encounter…
Salma Rachid moves effortlessly through places, cultures, and languages. Her project, Retori, was born more as a form of personal…
Not every artist is obliged to resist or reflect the world around them. And yet, wandering through Art Basel and…
Tucked in a remote corner of Aragón, between Barcelona and Valencia, the county of Matarraña unfold like a chapter from…
One of the main missions of the IAC – Institut d’art contemporain Villeurbanne / Rhône-Alpes is to showcase monographic exhibitions…
Nestled within historical walls, the town of Arles is a delightful little Roman lieu. Filled with art and expensive organic…
This conversation took place on the occasion of the opening of the second iteration of the exhibition “Dance with Daemons,”…
“Paint is the Subject”, the first solo exhibition in Switzerland dedicated to Ed Clark, offers a long-overdue and in-depth look…
Albarrán Bourdais presents “Essay on Permanence”, a solo exhibition by José Dávila at its Menorca gallery. For this first collaboration…
Just a week before Zurich Art Weekend and Art Basel, London Gallery Weekend returns as the biggest event of its…
Against the darkened Kravis Studio at MoMA, a network of taut wires spans the space on a diagonal, evoking the…
This is not the entrance of a new designer. It is the grafting of a new grammar of thought. Demna’s…