Steve McQueen “Sunshine State” Pirelli HangarBicocca / Milan
It could be that film is the medium of death, even more so than the photograph, whose stasis in a…
It could be that film is the medium of death, even more so than the photograph, whose stasis in a…
One is a critic because one has never felt affirmed (Barbara Kruger never speaks in the third person). There is…
I didn’t know just what to do So I whispered “I love you” And he said that he loved me…
It’s been a long time since I came around Been a long time but I’m back in town This time…
I do not know that Roe Ethridge’s work is ironic, because I don’t know that I am. This is not…
“Men are afraid that women will laugh at them. Women are afraid that men will kill them.” — Margaret Atwood…
In “How to Disappear,” a song from her last album, Norman Fucking Rockwell!, Lana Del Rey leads us to expect…
“It’s almost an impression of how the character sees her environment, not how we would see it — or if…
“Regarding Glee I would say two things: 1. It’s not like my work. It is my work; and 2. I…
Barbara Kruger’s work has come to represent a host of negative affects for art historians and critics, and it is…
In her 1975 poem “Liebestod,” Gwen Head writes of a girl on a beach who sunbathes with a glittering gun…
Movie Night is a column exploring film semiotics and thoughts about moviegoing in general. Oigo el llorido del mar, el…
“Thus, one of the things that anyone’s character or personality is is a record of the highly individual histories by…
“I feel as though I’m still not writing. I foresee and want a way of speaking that’s more fanciful, more…
In 1969, Betty Tompkins (b. 1945, USA; lives in New York and Mount Pleasant, PA) began her series of “Fuck…