Tetherings. A Conversation with Mary Stephenson
During our conversation, Mary Stephenson used the phrase “ghost mark” to describe the inerasable traces left by previous marks on her painted…
During our conversation, Mary Stephenson used the phrase “ghost mark” to describe the inerasable traces left by previous marks on her painted…
How do you put a finger on Lutz Bacher? Contemplating this, I walked toward Astrup Fearnley through a pocket of…
Eight noses jut from the façade of the Kestner Gesellschaft in Ian Waelder’s exhibition “thereafter.” In Self-Portrait as My Father’s Nose (2025),…
“A garment, a pin, a seam, a shield” at Phillida Reid is a thoughtfully composed exhibition that attends to the…
Nora Turato’s “pool7” is an elaborate attempt at an exorcism — of language, of self, and of what she repeatedly…
As some of nature’s most exhibitionistic spectacles, flowers have evolved to master the art of seduction — whether for luring…
Simon Denny is one of the first established artists to engage with blockchain ideology, creating works that render visible the…
Joey Holder’s exhibition complicates the concept of a “net-zero carbon” economy by which corporations can offset their carbon footprint. Current…