Crafting Connections. A Conversation with Daniel Del Core and Carlo Cossignani
Architecture is to nature like nature is to architecture. Daniel Del Core designs his collections starting from both, by passing…
Architecture is to nature like nature is to architecture. Daniel Del Core designs his collections starting from both, by passing…
Gea Politi: The idea for “No Doubt” was born both as a show and a residency, but also a statement…
“Opera means work, let me work it,” states American artist Sable Elyse Smith in the program for her ambitious new…
Gea Politi: At Art Basel, Parcours encourages a deeper engagement between the artworks and the urban environment — a different…
Attilia Fattori Franchini: The exhibition at Istituto Svizzero in Milan, curated by Gioia Dal Molin, brings your work into a…
Chris Kraus: saké blue (After 8 Books, 2024) is a beautiful collection of writings on and around visual art, but…
Face down in the mud, is it love or is it capture? Maybe it’s a secret third thing, in which…
Miranda July’s creativity explodes in all directions: she’s perhaps best known as a filmmaker and a writer, but she has…
Guillaume Désanges was made president of the Palais de Tokyo in Paris in January 2022. He succeeded Emma Lavigne, now…
This may well be the year of Charles Ray. Due to the pandemic, two shows that were scheduled far apart…
Part homage, part hypothesis, “Isaac Julien: Lina Bo Bardi – A Marvelous Entanglement” (2019), on view at the Bechtler Museum…
Eve Fowler: The last four or so paintings in the Vielmetter show seem to me much more “you” than anything…