3 x Sterling Ruby
Madness and Reason in the Minimum Security Studio by Gea Politi Visiting Sterling Ruby’s studio in Vernon, California, you are…
Madness and Reason in the Minimum Security Studio by Gea Politi Visiting Sterling Ruby’s studio in Vernon, California, you are…
Joel Kyack: The red light is on. Laura Owens: Do you think we can just ask each other questions? JK:…
Matt Paweski makes domestically scaled works. The works are modest accumulations of basic wood- and metal-shop techniques — the methods…
Donatien Grau: Was your first encounter with art or with artists? Shaun Caley Regen: Probably artists of some kind, whether…
Robert Heinecken liked to describe himself not as an artist or a photographer but as a “paraphotographer.” He explained that…
Twenty-five years ago the exhibition “Magiciens de la Terre” heralded the emergence of an art-world discourse around globalization. There had…
“We are really walking a fine line — in fact, our line might be so fine that we might be…
From Flash Art International no. 123,1985 Michael Kohn: How about starting with a serious question: Your work has been called…
Imagine walking into a gallery and seeing a skewed flat screen on the floor, its surface illuminated by a video…
In the not too distant future you will be alone. Everything will be fine. You will have many comforts. Your…
Rafael De Cárdenas: Are you familiar with the hashtag phenomenon? Peter Halley: Are you talking about Twitter? RDC: Can you think of…
As the opening sequence of Gossip Girl plays on repeat on a forty-inch flat-screen TV, the voice of the series’…
The latest menswear collection shows in Paris were as bizarre as a fun festival: several luxury groups invested vast amounts…
Donatien Grau: How did Deitch Projects come about? Jeffrey Deitch: I begin my book on Deitch Projects with the line,…
Much has already been written and said about the exhibition “Speculations on Anonymous Materials,” which opened in the fall at…