The Device of Eternal Motion. A Conversation with Karla Kaplun
Mexican artist Karla Kaplun makes work around the construction and functioning of collective memory, and how that unfolds in dynamics…
Mexican artist Karla Kaplun makes work around the construction and functioning of collective memory, and how that unfolds in dynamics…
Time, in “STEADYSTATE,” doesn’t tick — it lingers, loops, and evaporates. The group exhibition at Zero… in Milan, co-curated with…
Moving through Zurich — whether on foot, by bicycle, tram, or car — rarely involves a direct or uninterrupted trajectory.…
Francesco Bonami: Do you still think that Manhattan is the center of the culture of congestion? Rem Koolhaas: It is…
I first came across the work of German-Vietnamese artist Phung-Tien Phan during a visit to Project Native Informant during the…
Nora Turato’s “pool7” is an elaborate attempt at an exorcism — of language, of self, and of what she repeatedly…
Clouds of mist part in the mountains of Lin’an (临安), China to reveal a fragment of reptilian skin. A mass…
London, December 2024 Dear Lizzie, I noticed that last year Rory Pilgrim wrote this very same letter to a loved…
Kelsey Isaacs’s shower floor is home to a sculptural tableau that quite literally sets the stage for a practice in…
Carlo Antonelli: Who are these people, the ones that populates your works? Kai Althoff: They accumulate. Some return more often…
The first camera was a darkened room. Through a pinhole, the outside world was reflected on the opposite wall, upside…
My first, fleeting encounter with the Ökohaus (Eco-House) project came during an all too brief visit to Berlin in November…
Intentional obfuscation runs through “Sudden Places,” the exhibition by Chinese-born, Berlin-based interdisciplinary artist Pan Daijing at the Walker Art Center…
I’ve known Zazou Roddam for almost a decade, long before Roddam considered herself an artist or I was curating. For…
In Christianity, the cross announces a terrifying requirement, a gloomy invitation to participate in that at which we “shudder,” according…
Christine Sun Kim began working at the Whitney in 2007 as an educator, and later, as a consultant to establish…