Wu Tsang Gropius Bau / Berlin
A gold curtain shimmers from a flagpole and catches the light; crystals cascade in thin streams and reflect rainbows; sunrays…
A gold curtain shimmers from a flagpole and catches the light; crystals cascade in thin streams and reflect rainbows; sunrays…
GEA POLITI: Is there a particular reason why you switched from painting to photography after a while, like did you…
As art institutions adopt performance-based practices, artists, curators, and archivists are faced with new considerations about how to classify and…
In her 1975 poem “Liebestod,” Gwen Head writes of a girl on a beach who sunbathes with a glittering gun…
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Coinciding with the artist’s Tate Modern Turbine Hall commission, Sprüth Magers London presents the first retrospective of Kara Walker’s films.…
It is with immense sadness that we acknowledge the loss of Rebecca Horn, a pivotal and vital figure in the…
Writing in “The Spirit of Things,” the critic Barbara M. Benedict considers the rise of consumer society in relation to…
Since the mid-1980s, Nayland Blake has engaged the politics and aesthetics of identity in America. Biracial, queer, and gender nonconforming,…
For her first solo exhibition in Portugal, Nora Turato drove her two greyhounds, Taco and Tuna, all the way from…
The work of Berlin-based artist Jimmy Robert (b. Guadeloupe (FR) 1975) is situated in the interstices between the art object,…
“Welcome to End-Used City” continues Sidsel Meineche Hansen’s ongoing consideration of techno-capitalism’s stranglehold on biopolitics. The focus here is the…
At the center of Alex Baczyński-Jenkins’s Until a thousand roses bloom (with Warsaw in the background) (2018) are two plots…