John Baldessari. BEFORE DAY FALLS
GEA POLITI: Is there a particular reason why you switched from painting to photography after a while, like did you…
Interviews
Paul Chan
Maurizio Cattelan: You look great. Paul Chan: Thank you. MC: Before we start, I would like to give you something.…
Wong Hoy Cheong
Hou Hanru: When did you start thinking about Re:Looking (2002-03)? Was it for the Venice Biennale? Or was it because…
Seb Patane
Catherine Wood: Your recent work refers to or features images of men from political organizations in the ’60s and ’70s…
Guy Ben-Ner
Maurizio Cattelan: I will start with a quote: in a review of your show a year ago in Artforum you…
Olivia Plender
Robert Stasinski: In 1958 the BBC first aired the TV series Monitor, which focused on the arts and culture. You…
Chris Burden
Valentina Sansone: In 1971 you presented a performance that consisted of being shot (Shoot). Later on you claimed that you…
Ferran Adrià
Nine o’clock in the morning and I meet Ferran Adrià inside the Sagrada Familia. He tells me that he loves…
Hernan Bas
Maurizio Cattelan: So, you’re in Detroit at the moment? Hernan Bas: Yup, the house I bought up here is almost…
Victor Man
Neville Wakefield: I was intrigued by this idea of what an interview delivers. Victor Man: The expectations around it… NW:…
Roman Ondák
Klaus Biesenbach: Let’s start with your piece Measuring the Universe (2007) that we recently presented at MoMA. Does it start…
Yeondoo Jung
Roselee Goldberg: There is much excitement about your forthcoming Performa Commission, inspired by your rehearsals in Yokohama last month. Yeondoo…
Omer Fast
Originally published in Flash Art International no. 262 October 2008. Omer Fast explores the disjuncture in documentary media by splicing…
Damien Hirst
Michele Robecchi: How did “Cornucopia,” the exhibition at the Oceanographic Museum in Monaco, come about? Damien Hirst: I love the…
Josephine Meckseper
Monika Szewczyk: You’ve lived in New York for years, though I think many people still see you as a German…
Ai Weiwei
Brendan McGetrick: Your installation for The Unilever Series commission recently opened at the Tate Modern’s Turbine Hall in London. That…