WangShui: Between Worlds
What does it mean to live comfortably between worlds? Adaptation does not always guarantee success. Think of recalibrating any timeworn…
Features
Parabolical Apocalypses. A conversation with Precious Okoyomon
Precious Okoyomon breathes new life into their installation topographies with the solo exhibition “the sun eats her children” at Sant’Andrea…
Nikita Gale: The Psychology of Ruins
The trouble with theory in the encounter of art is a serious one. Exegesis has in many cases taken up…
Issy Wood: Blue of Noon
Diary entry from a lion in the back of a wardrobe, May 10, 2023: It’s been a long day, entre-nous.…
A Way to Move Through It. A Conversation with Ligia Lewis
Ligia Lewis is a choreographer, performer, and director whose work is characterized by an eclectic, often dissonant fusion of elements.…
A Nostalgia Queen. A Conversation with Richard Kennedy
It was the last day of March, and I chose the corner with the sage-green marble tables and white sofas…
General Idea: Cultural Criminals. A Conversation with AA Bronson
“We were cultural criminals, media parasites,” writes AA Bronson in the preface to the catalogue accompanying the traveling retrospective of…
Ventura Profana: Ventures Across Time
What seems to propel Western history is an insatiable drive for transformation, construction, destruction, plunder, and conquest — strategies of…
Show Them, Tell Them, Don’t Explain. A Conversation with Sara Sadik
Marseille-based video and performance artist Sara Sadik is best known for her emblematic work on the Maghrebi diaspora in France.…
Pol Taburet: In Love, In Life, In Violence: The Art and Process of Unbecoming
Sometimes people are simply cool. You know what I mean: when you meet someone, only to be struck by a…
Isa Genzken: Tactical Slippage
Although a single word could never encapsulate the boundless range of Isa Genzken’s artistic production, one that comes close is…
Isabelle Albuquerque: The Patron Saint of Plurality
I’m a little lost without you / That could be an understatement / Now I hope that I have paid…
Mimosa Echard: Escape More, See Less
With great homogeneity of purpose, French artist Mimosa Echard’s work unfolds from one exhibition to the next in an ongoing…
Bri Williams: Defamiliarizing Myths
Bri Williams’s work drifts between feeling and intellect, eroding the distinction between the two into an embodied knowing and experience…
Liminal Systems of Representation. A Conversation with Jordan Strafer
Over the past ten years, Jordan Strafer has developed a body of work that interrogates dysfunction within American society. Through…
Aria Dean: There, There; There’s No “There” There
In my early twenties I worked as a gallery attendant at Dia:Beacon, where I was tasked with maintaining the precise…