Zhang Ding
Zhang Ding (b. 1980, China) is essentially an anarchist. The underlying impulse behind his recent actions has been to carve…
Features
Yu Ji
I will begin with a myth. When I invited Shanghai-based artist Yu Ji (b. 1985; Chinese) to participate in the…
Birdhead X Flash Art
New Media Hell
New media art has a relatively short history in Greater China, where more traditional forms such as painting and sculpture…
Elad Lassry
Maurizio Cattelan: Elad, I just ran into you in Milan, where you opened your first exhibition with Massimo De Carlo.…
Li Qing
To gaze at a painting from Li Qing’s “Neighbor’s Window” series means to peer at an urban panorama from within…
Gerwald Rockenschaub
Six animations of circles, squares and right angles in motion are projected onto separate screens. Three color fields create a…
Susan Hefuna
Who has the right to claim a place as home? How familiar is the foreigner, and where can he or…
Tableaux Vivants
The imagination is the first luxury of a body that receives sufficient nourishment, of a person who has just a…
Pablo Bronstein
Catherine Wood: I’m interested in your use of architectural forms as sculptural obstructions within the gallery space — thinking of…
Jan Merta
Daniel Pitín: Mr. Merta, when we spoke together recently in my studio, I thrust upon you the idea that you…
Eva Hesse
Reflecting on a decades-long affair with the ghostly portraiture that relentlessly crawled out of brash abstraction, Willem de Kooning remarked:…
Rum, Sodomy and the Lush
I recently came across this manuscript, hidden away in a safe that was unearthed from a Los Angeles dump. All…
Brigitte Kowanz
Rainer Fuchs: At the beginning of your career you and Franz Graf executed paintings together, which demonstrated an obvious discontinuity…
Rachel Harrison
On my way to Rachel Harrison’s Brooklyn studio, I had one thing that I was going to bug her about:…
The Cinematic
Thirty years ago, Dan Graham proposed a plan for a movie theater that would immediately lay bare cinema’s social and…