Julia Stoschek
For three years Julia Stoschek has presented her private collection of video and media-based art to the general public in…
Features
Blinky Palermo
Blinky Palermo is a near-mythical figure in postwar art, partly because of his biography, partly because of his pioneering art,…
Lars Laumann
Aimee Walleston: The video Morrissey Foretelling the Death of Diana (2006) is very accomplished, and it’s your first video piece…
Stories
是金子总会发光 有位艺术创作者，在创作道路上坎坷，苦苦追求艺术之路但总被拒之千里。每次他拿着自己满意的新作被泼冷水，回到家的时候，他的妻子总是对他说，“没关系，是金子总是会发光的。” 几十年过去，妻子也去世了，孤独的他默默无闻，站在昏暗的工作室中，心里还是默念 “是金子总是会发光的。” 等他也去世的时候，被送去火化，一股黑色的烟上升到空中，烧剩下的是一副黄金的骨架。 If It Is Gold, It Will Always Shine There was an art maker who had…
Jin Shan
“Divine Ruse,” Jin Shan’s latest solo exhibition at BANK, in Shanghai, is a product of speculation and resistance. The exhibition…
Grass Stage
My first experience with the Grass Stage theater troupe (founded in 2005) was the production of Lu Xun 2008 at…
Zhang Ding
Zhang Ding (b. 1980, China) is essentially an anarchist. The underlying impulse behind his recent actions has been to carve…
Yu Ji
I will begin with a myth. When I invited Shanghai-based artist Yu Ji (b. 1985; Chinese) to participate in the…
Birdhead X Flash Art
New Media Hell
New media art has a relatively short history in Greater China, where more traditional forms such as painting and sculpture…
Elad Lassry
Maurizio Cattelan: Elad, I just ran into you in Milan, where you opened your first exhibition with Massimo De Carlo.…
Li Qing
To gaze at a painting from Li Qing’s “Neighbor’s Window” series means to peer at an urban panorama from within…
Gerwald Rockenschaub
Six animations of circles, squares and right angles in motion are projected onto separate screens. Three color fields create a…
Susan Hefuna
Who has the right to claim a place as home? How familiar is the foreigner, and where can he or…
Tableaux Vivants
The imagination is the first luxury of a body that receives sufficient nourishment, of a person who has just a…
Pablo Bronstein
Catherine Wood: I’m interested in your use of architectural forms as sculptural obstructions within the gallery space — thinking of…