Desperate Things
What does a thing know of its own production? The language here isn’t mine, but rather comes from the title…
Features
No Real Corpse
Dear Frances, There’s been a great bondage that you’ve always known. Once we shared asthmatic anguish, heaving spheres of cultural…
New Sincerity
I had hoped to talk to you as if to my dearest friend since my words are limited and there…
Snowblind
Porzia Duo went on living. He had to keep his distance from the people who brushed past him by expanding…
A Letter to Mr. Jing
Dear Mr. Jing, Greetings! It is only now that I have made the decision to follow you — to monitor…
No, cup
Get the family out forever, out from around the table. Now, at breakfast, the most important objects on the table…
Herald
It was her own peculiar joy, something hard to maintain amongst her everyday life and everyday home, but that came…
Considerable Inner Strenght
In recent years, several international novelists have sought to include contemporary art in their novels — among them Michel Houellebecq,…
Justin Mortimer
Family Dollar (2009). Courtesy the Artist and Master Piper, London. Photography by Anna Arca. In his introduction to The Metastases…
Mandla Reuter
The examination and alteration of the institution and the display of art — as inaugurated by such artists as Michael…
Oscar Tuazon
With titles such as City without a Ghetto, Glassed Slab, Panel, On a Hilltop, Catchment System, 1:1, Water Wall and…
Aaron Curry and Thomas Houseago
THOMAS HOUSEAGO: Let’s start with the fact that we just did two two-person shows. One was at the Ballroom Marfa…
Sterling Ruby
João Ribas: I’d like to begin by discussing this post-humanist condition underscoring so much of your practice — ranging…
Michelangelo Pistoletto
Giancarlo Politi: Do you think that art is fixed in time? I mean, what’s the difference between your first series…
Work
Hey guys, this is going to be one of the longest Instagram captions ever, but I guess I’ve been pushing…
Aaron Young
Hans Ulrich Obrist: I want to start by asking a question to do with your piece called Never Leave Home…