Curatorial Schools
In the past few years, contemporary art has overtaken all the characteristics of an entertainment industry. Within the art system,…
Features
Into Me/Out of Me
In the year 2000, an exhibition was planned for New York’s P.S.1 Contemporary Art Center that was initially supposed to…
Sterling Ruby
Since his first public solo outings about three years ago, Sterling Ruby’s combinations of performance-video, occultish drawings and collages, organic…
Michaël Borremans
Michaël Borremans’ star is rising steadily. The artist first made a name for himself with drawings of very detailed stage…
Mircea Cantor
Alessandro Rabottini: What is this little map on one wall of your studio? It’s a drawing, a sort of web…
Victor Man
Victor Man’s painting is not what is but rather all that might be. It is a space of possibilities, in…
Gabo
Deep in the heart of East London’s docklands there’s a bespectacled Italian man with only one name: Gabo. It’s a…
Vanessa Beecroft
Neville Wakefield: I’ve always understood the iconic aspect of your performances to be serial and anti-narrative. Certain aspects have changed…
Nathalie Djurberg
Ali Subotnick: What are you afraid of? Nathalie Djurberg: I’m afraid of almost everything; maybe I’m less scared now…
Dominique Gonzalez-Foerster
For Dominique Gonzalez-Foerster 2005 was a sabbatical year. Her calendar was emptied of exhibitions and public projects. The first show…
Peter Fischli and David Weiss
In July we traveled to Zurich to talk to Fischli and Weiss about their forthcoming retrospectives at the Zurich Kunsthaus,…
Christian Holstad
Maurizio Cattelan: Since your show at Daniel Reich’s apartment I have seen you shift media and styles often. Artists who…
New York Tales
New Spaces This past November, the doors of the Hessel Museum of Art were opened at Bard College, the prestigious…
Robert Kusmirowski
Confronted with Robert Kusmirowski’s work, one is immediately immersed into the past. Kusmirowski’s oeuvre explores ideas of history and its…
John Kørner
Problems are comparatively easy to deal with.” This statement welcomes the reader of John Kørner’s 2004 artist book A Modern…
New Tendency
During the 1950s the contemporary art world lived in a season of art informel that lent itself to curious and…