Dietmar Lutz
It’s easy to think of Dietmar Lutz’s paintings in cinematic terms, in the first place because of their frequent references…
Features
Kelley Walker
Vincent Pécoil: With your objects based on the recycling of logos, what is your interest in using printed matter in…
Trisha Donnelly
Hans Ulrich Obrist: The interview happens now at the corner of rue Jacob and rue Bonaparte. Already this interview goes…
Graham Little
The world contained in Graham Little’s drawings is one of effortless luxury and beauty, a women-only world where the main…
Bob Colacello
Francesco Vezzoli: Let’s start with Caligula, the movie. What did you think when you saw it for the first time?…
Reena Spaulings
Since the “founding” of Reena Spaulings sometime in 2004 a cloud of mystery has hung over the phenomenon. Who —…
Thoralf Knobloch
Even though Dresden and Leipzig are not so far apart geographically, the quality of painting emerging from these two East…
The French Connection
In the footsteps of Pierre Huyghe, Philippe Parreno and Dominique Gonzalez-Foerster, who are among the leading mid-career French artists, and…
Cautious Alternatives
In New York everything happens quickly: three years are an era, a period long enough to test an entire generation,…
Daniel Buren
Jérôme Sans: Let’s start by talking about shows. How do you approach exhibition spaces? Are some better than others? Daniel…
Yan Lei
Beatrice Leanza: Since the mid ’90s your work has consisted mainly of five large series of paintings (“International Scenery,” “Climbing…
Outsider Visions
Raw art that exists in extremis, at the very edges of culture and beyond — this could be one definition…
Takashi Murakami
Andrea Bellini: When you curated the show “Superflat” at MOCA in Los Angeles, you wrote that the world in the…
Into Me/Out of Me
When Marina Abramovic was in the early stages of planning her “Seven Easy Pieces,” the re-staging of seven seminal performances…
Gedi Sibony
Philippe Vergne: You conceive environments made out of what could be perceived as detritus, leftovers… or material “without qualities.” It…
Anselm Reyle
Anselm Reyle picks up the languages of modern abstraction like objets trouvés. He draws purposefully on the last century’s fund…