Jānis Avotiņš
Andris Brinkmanis: In your work there is a sense of alienation: strange, almost Kafkian or Dostoyevsky-like scenarios are represented, and…
Andris Brinkmanis: In your work there is a sense of alienation: strange, almost Kafkian or Dostoyevsky-like scenarios are represented, and…
Michael Polsinelli: Your film projection Speech Bubble (2008) was inspired by the bankruptcy of the Belgian high-tech speech recognition company…
“I have a big philosophical problem with the fact that everybody always has their own opinion in TV, in the…
Neringa Černiauskaitė: You recently joined Yvon Lambert gallery. Was the Lithuanian Pavilion in the 53rd Venice Biennale a decisive moment?…
Simon Castets: In a recent text, you described your practice as a way to convey the sense of freedom you…
Marco Antonini: How would you describe your work to a complete stranger, someone who has never seen it before? Shana…
Hanne Mugaas: What do you regard as the lowest depth of misery? Ida Ekblad: To live without music, poetry and…
Edith Jerabkova: Hey Eva, what are you doing tonight? Eva Kotatkova: Finishing a series of sociometric questionnaires for pupils of…
Looking at Fabian Marti measuring a table designed by Ettore Sottsass, I asked, “What are you doing?!” “I am going…
Catherine Borra: You trace genealogies that link your personal position to a stream of histories. In your early works you…
Virginie Bobin: Ideal Viewer (2009), the performance piece that you recently did in New York, involved a Crying Woman, an…
Nikola Cernetic: Recently you added some kind of sculpture-installation in your exhibition. Do you feel painting is not enough, or…
Cromo (2009). Courtesy Habana, Havana. Merrily Kerr: What brings you to New York? Los Carpinteros: We’re designing the set for…
Ognams, 2008. View of the performance at Liste, Basel. Courtesy the Artist and Balice Hertling, Paris. Photo: Alexis Zavialoff. Annette…
Alexandre Singh is a new type of storyteller — a Wikipediast who sources his mind-bending stories from the web, following…
Danae Mossman: In what ways does your work engage with the notion of individual agency amid the brand and ‘lifestyle’…