Flash Art #332 FALL 2020
COVER → Liliane Lijn, Lilith, 2001. Patinated bronze, phlogopite mica, gas, brass and stainless steel fittings. 186.5 × 55.5 × 60 cm. Photography by Stephen Weiss. Courtesy of the artist and Rodeo, London / Piraeus.
ON VIEW → International exhibitions selected by ◯ Saâdane Afif, Artist, convener of Bergen Assembly 2022 ◯ Antonio Sergio Bessa, Director of curatorial and education programs at the Bronx Museum, New York ◯ Yuko Hasegawa, Professor at Tokyo University of the Arts and artistic director at the Museum of Contemporary Art, Tokyo; curator of the Thailand Biennale, Korat 2021 ◯ Nicola Trezzi, Director at the Center for Contemporary Art, Tel Aviv
FEATURES → ◯ Liliane Lijn. Reinventing the Archetype by Ciara Moloney ◯ Designed to Be Animated: Some Insights in Philippe Parreno’s Animism by Emanuele Coccia ◯ Desiring Machines: The Exhibition as Automaton in Philippe Parreno’s Work by Zoe Stillpass ◯ Space as Time / Time as Space: Philippe Parreno’s Delivered Time by Dorothea von Hantelmann ◯ Listen to This! Sound Art Reflections by Barbara London ◯ The Anticipatory Role of Germano Celant by Pascale Krief ◯ Germano Celant: Companion to Art by Terry Smith ◯ Special Issue on documenta V – Originally published in Flash Art no 32-33-34, May / July 1972 ◯ Ian Wilson: There Was a Discussion by Luca Cerizza ◯ Yona Friedman®: A Case Study from Radicalism to Idiocracy by François Roche ◯ THE CURATORIAL GAZE Episode I I I : Speech of an Object. A Column by Pierre Bal-Blanc ◯ NEWCOSTUME Episode II: 20471120: Ecstatic Exhibitionism. A Column by Matthew Linde ◯ Questionnaire. The Kitchen’s new residency programs: Autumn Knight at 512 West 19th Street and Baseera Khan at Queenslab ◯ Letter from the City by Ivana Bašić
REVIEWS → ◯ “Don’t Let This Be Easy” Walker Art Center / Minneapolis ◯ Rose Wylie “where i am and was” Aspen Art Museum / Colorado ◯ Toyin Ojih Odutola “A Countervailing Theory” Barbican Centre / London ◯ Robert Morris “The Perceiving Body” MAMC+ / Saint- Étienne Métropole ◯ “Shifting Proximities” Nxt Museum / Amsterdam ◯ Irma Blank “Blank” CCA – Center for Contemporary Art and at the Bauhaus Foundation / Tel Aviv ◯ Martin Kippenberger “K” Fondazione Prada / Milan ◯ “Untitled, 2020. Three perspectives on the art of the present” Punta della Dogana / Venice