Ana Cardoso Longhouse Projects / New York
As the white cube has been exhausted, I am into semi-darkness. But really I think painting should be installed.” ―…
As the white cube has been exhausted, I am into semi-darkness. But really I think painting should be installed.” ―…
In 1997 Tacita Dean recorded her trip to find Robert Smithson’s Spiral Jetty (1970), using a tape recorder and a…
Agnes Denes’s first solo exhibition in the UK since 1979 began with black-and-white photographic documentation from Rice/Tree/Burial(1968–79), an action first…
As the first comprehensive survey of Ana Mendieta’s oeuvre in the UK, this retrospective celebrated the artist’s unique visual language…
In collaboration with the Galería de Arte Mexicano, Stefan Brüggemann presents an appropriation of ten of the thirty-nine light sculptures…
It requires of us an imaginative elasticity for the bravado of the surreal upon entering the Raven Row galleries; for…
This important retrospective of the Danish collective Superflex, founded in 1993 by Jakob Fenger, Rasmus Nielsen and Bjørnstjerne Christiansen, is…
Turning exhibitions into experiential environments is one of Philippe Decrauzat’s specialties. Another is his use of optical illusions to describe…
The Spirit of Utopia exhibition offers audiences a hybrid space between an agora, a scientific laboratory and curiosity rooms. The…
Appropriation and remediation of images, the culture of meme and their intersection with popular culture, advertising, television and cinema, are…
‘It is an attempt to visualize the invisible things in our life. The idea is not just simply shifting the…
Robert Gober is a God. He exults in the production and repetition of forms that he has used since the…
Jonathan Torres (1983, San Juan) is one of the new breed of young talented artists of the small island of…
I am, of course, an advocate for self-representation, especially in the form of works that give voice to marginalized and…
“I discovered that the earth was fragile and the sea light; I discovered that language and metaphor are not enough…
From a distance of sixty years, Alexander Calder’s mobiles, stabiles and standing mobiles embody the best attributes of modernist sculpture.…