Dor Guez
“I’m interested in these social junctions where art meets culture, history and politics,” explains Dor Guez. Defining his artistic practice…
Magazine Articles
Move: Choreographing You
On entering “Move: Choreographing You” at the Hayward Gallery, it’s best to leave preconceived ideas of normal gallery behavior at…
Katarzyna Kozyra: Casting
“Casting,” Katarzyna Kozyra’s Warsaw solo show presented at the Zachęta National Gallery of Art, is not a comprehensive retrospective, as…
Francis Alÿs: A Story of Deception
Originally posted in Flash Art International no. 277 March – April 2011 “A Story of Deception” is the first major…
Yvon Lambert
Donatien Grau: In what context did you open your first gallery in 1964? Yvon Lambert: I was around 20 when…
High Entertainment
This excerpt is taken from the author’s online book High Entertainment which interprets the myriad destabilizations ushered in by the digital…
Rodarte
Maurizio Cattelan: I am going to ask questions about family because I imagine your creative process to be familial and…
Going to the Oscars
Working as a curator both with Francesco Vezzoli on his first international survey exhibition tour, and with James Franco on…
Lady Gaga
There is something rotten about the old ideal of sex, drugs and rock ‘n’ roll. Attending a concert of Lady…
The Architecture of Entrapment
The Berkeley Museum of Art and Pacific Film Archive is slated to reopen on January 31, with a new building…
Bitter Pills
As I write this, Marina Pinsky (b. 1986, Russia; lives in Brussels) is working on a show for Kunsthalle Basel.…
The Eternal: Far More like a Ruffle on a Dress than Some Idea
Right now, fashion is breeding with other industries more furiously than ever. The best new museums are connected to fashion…
Technical Explorations
When one endeavors to write about the painting currently being produced in a given country, it is very easy to…
Sherrie Levine
Museum Haus Lange in Krefeld is a monument of modernist architecture. It was built by Mies van der Rohe in…
Cinthia Marcelle
Júlia Rebouças: How did you begin to define your current practice? Cinthia Marcelle: I think it was during an artist…
Vishal Jugdeo
Elad Lassry: In your work there is a hardcore sense of “starting over”: narrative, characters, industries, language, object and meaning…