Time Machine and Archive
“I don’t have any time machine, but I have an archive.” The words are spoken by Lydia van Vogt in…
Magazine Articles
SEA STATE 1: inside/outside
Plans to Escape
From Flash Art International no. 251 November–December 2006 Hans Ulrich Obrist: In a previous conversation, we spoke about moving into…
The Vagrant
A Fresh Start in Space
Ben Vickers: Perhaps we could begin with a small overview of Russian cosmism as it relates to your recent work.…
Liquid States
Exit > Voice If 2011 with its uprisings, protests and riots was the year of #voice, 2015 might be…
Havana Under Water
For the 2012 Havana Biennial, Roberto Fabelo Hung erected a translucent screen alongside Havana’s Malecón seawall, superimposing ghostly, digital reproductions…
From "Unmanned Lander"
North by Southwest
Why show the land? The question came to me as I exited “The Idea of North,” the Hammer Museum’s exhibition…
The Gesture that Makes
the Mark
Contributive Farming The Old Field Farm rises on the northern slopes of the Catskills, in Greene County, New York, approximately…
Rudolf Stingel
Over the course of more than two decades Rudolf Stingel has brought to the fore an approach to painting that…
Bridget Riley: Paintings and Related Work
It was then that she summoned the spirits. In 1965 the English-born Bridget Riley broke from the traditions of painting,…
Doris Salcedo: Plegaria Muda
The entire oeuvre of Columbian artist Doris Salcedo is informed by a strong political commitment that relentlessly confronts us with…
Let’s Dance
On several occasions, Christodoulos Panayiotou organized a kind of marathon that had little to do with the Greek original but…
Alexander Heim
The Great Plastic Vortex (2011), a work Alexander Heim presented at Art Basel’s “Art Statements” last June, refers to a…
Ian Hamilton Finlay
For Ian Hamilton Finlay, not only is our contemporary world a secular, materialist and fallen one from which ideal meaning…