Ursula Mayer
Annette Amberg: Your earlier films reflect on the relationship between the camera’s gaze, female protagonists and architectural spaces, as well…
Magazine Articles
Nick Oberthaler
Joanna Fiduccia: You have a work from 2008 entitled Von der Unmöglichkeit seiner eigenen Jugend treu zu bleiben… Nick Oberthaler:…
Verena Dengler
Will Benedict: In your works you seem to be creating a confluence between graphics and sculpture. How did a silkscreen…
Tadashi Kawamata
Green, red, white and blue pipes running through the glass and metal body of the building; a red tubular escalator…
Eva Hesse
Reflecting on a decades-long affair with the ghostly portraiture that relentlessly crawled out of brash abstraction, Willem de Kooning remarked:…
Rum, Sodomy and the Lush
I recently came across this manuscript, hidden away in a safe that was unearthed from a Los Angeles dump. All…
Cultivated Schmäh
While holding onto the unbending social etiquette of Strauss waltzes, for the past sixty years Austrians have had to wrestle…
Brigitte Kowanz
Rainer Fuchs: At the beginning of your career you and Franz Graf executed paintings together, which demonstrated an obvious discontinuity…
Maurizio Cattelan
Legs dangling over the top of the Menil Collection’s Renzo Piano façade, backlit by the sky, Maurizio Cattelan’s mechanical drummer…
Rachel Harrison
On my way to Rachel Harrison’s Brooklyn studio, I had one thing that I was going to bug her about:…
The Cinematic
Thirty years ago, Dan Graham proposed a plan for a movie theater that would immediately lay bare cinema’s social and…
Dexter Dalwood
In a 2010 interview with critic David Coggins, Dexter Dalwood points out that “History, just like art history, is a…
Isaac Julien: Ten Thousand Waves
Ten Thousand Waves, which received its world premier in May 2010 at the Biennale of Sydney, is Isaac Julien’s most-ambitious…
Tomasz Kowalski
Joanna Zielińska: The overall image in your works is governed by very specific rules. Motifs circulate and paintings — which…
Ján Mančuška
Vít Havránek: In your theoretical texts and live performances the artist is perceived as ‘Homo Politicus’ and political self-identification has…
Apichatpong Weerasethakul
Florence Derieux: You created your own production company, Kick the Machine, right at the beginning of your career in 1999,…