Adrian Ghenie
Prior to becoming the “Transylvanian rising star,” Adrian Ghenie co-founded, together with Mihai Pop, Plan B gallery, the epicenter of…
Magazine Articles
Simone Forti
Jenny Schlenzka: How did you become invested with movement? Simone Forti: Before I got seriously involved with dance I painted.…
Athanasios Argianas
In a recent sculpture, whose title sounds as much like a manifesto as some kind of neo-Platonic magic trick, A…
Ariel Schlesinger
Simon Castets: In a recent text, you described your practice as a way to convey the sense of freedom you…
Shana Moulton
Marco Antonini: How would you describe your work to a complete stranger, someone who has never seen it before? Shana…
Fluxus Tales
As soon as my dad told me I needed to make money and thus get a job, I found myself…
Ida Ekblad
Hanne Mugaas: What do you regard as the lowest depth of misery? Ida Ekblad: To live without music, poetry and…
Kirstine Roepstorff
Kirstine Roepstorff’s 2007-2008 series “It’s not the eye of the needle that changed – The Time / The Self /…
Nedko Solakov
Laughter, shame, fear, love, anger, happiness, euphoria, boredom, depression… and if irony was an emotion, then especially irony. “Emotions” is…
Eva Kotatkova
Edith Jerabkova: Hey Eva, what are you doing tonight? Eva Kotatkova: Finishing a series of sociometric questionnaires for pupils of…
Diego Perrone
and Simone Berti
Samuele Menin: When you are invited to participate in a group show with a specific theme, how does this theme…
Matthew Day Jackson
Bill Arning: In my time at MIT, I was always really grateful to be in a place where the bulk…
Fabian Marti
Looking at Fabian Marti measuring a table designed by Ettore Sottsass, I asked, “What are you doing?!” “I am going…
Conflicts of Interest
Writing about the work of the French artist Jean-Luc Moulène (b. 1955, France; lives in Paris), I’ve reached, many times,…
Terence Koh / Banks Violette
Terence Koh: It doesn’t seem to fail that every time we do something together it falls apart. Considering this is…
Hans Haacke
Sam Durant: Would you be willing to discuss any of your recent projects? Hans Haacke: For the 2009 Venice Biennale…