Jānis Avotiņš
Andris Brinkmanis: In your work there is a sense of alienation: strange, almost Kafkian or Dostoyevsky-like scenarios are represented, and…
Magazine Articles
Brussels Residents
What’s so special about Brussels and why are so many artists moving there? Though the lively multicultural city is ideally…
Bestué & Vives
Committing an appreciation of the work of David Bestué and Marc Vives to writing feels initially like turning up to…
Adam Leech
Michael Polsinelli: Your film projection Speech Bubble (2008) was inspired by the bankruptcy of the Belgian high-tech speech recognition company…
David Renggli
“I have a big philosophical problem with the fact that everybody always has their own opinion in TV, in the…
Zilvinas Kempinas
Neringa Černiauskaitė: You recently joined Yvon Lambert gallery. Was the Lithuanian Pavilion in the 53rd Venice Biennale a decisive moment?…
Pop Life: Art in a Material World
With his September 2008 auction at Sotheby’s, Damien Hirst cut out dealers and other art world middlemen, and went straight…
Yeondoo Jung
Roselee Goldberg: There is much excitement about your forthcoming Performa Commission, inspired by your rehearsals in Yokohama last month. Yeondoo…
Adrian Ghenie
Prior to becoming the “Transylvanian rising star,” Adrian Ghenie co-founded, together with Mihai Pop, Plan B gallery, the epicenter of…
Simone Forti
Jenny Schlenzka: How did you become invested with movement? Simone Forti: Before I got seriously involved with dance I painted.…
Athanasios Argianas
In a recent sculpture, whose title sounds as much like a manifesto as some kind of neo-Platonic magic trick, A…
Ariel Schlesinger
Simon Castets: In a recent text, you described your practice as a way to convey the sense of freedom you…
Shana Moulton
Marco Antonini: How would you describe your work to a complete stranger, someone who has never seen it before? Shana…
Fluxus Tales
As soon as my dad told me I needed to make money and thus get a job, I found myself…
Ida Ekblad
Hanne Mugaas: What do you regard as the lowest depth of misery? Ida Ekblad: To live without music, poetry and…
Kirstine Roepstorff
Kirstine Roepstorff’s 2007-2008 series “It’s not the eye of the needle that changed – The Time / The Self /…