Turning the Wheel
The international exhibition of the 53rd Venice Biennale, “Making Worlds,” opens on the 7th June under the directorship of Daniel…
Magazine Articles
Gintaras Didžiapetris
Deliberately eschewing a few key methods of dissemination synonymous with the communication of contemporary art and the promotion of an…
Craft
First comes the artwork and then the artist, or that’s how it was in antiquity. Today, however, the system presumes…
Dan Graham: Being and nothingness
Originally published in Flash Art no. 265, March–April 2009. Violaine Boutet de Monvel: Shall we start with your exhibition “Beyond”…
What is to Be Done?
Polish art, I believe, operates in cycles — a bit like mania and depression in psychosis. And now is the…
Artur Żmijewski
Valentina Sansone: You attended the Warsaw Academy of Fine Arts during the ’90s together with Katarzyna Kozyra and Paweł Althamer.…
Emre Hüner
Some of us have an unquenchable thirst for fantastic realism, thinking the most sensitive readings of today can be traced from…
Clemens von Wedemeyer
The curve at the Barbican Art Centre has been painted dark to host Clemens von Wedemeyer’s new multi-layered piece The…
Olivia Plender
Robert Stasinski: In 1958 the BBC first aired the TV series Monitor, which focused on the arts and culture. You…
Chris Burden
Valentina Sansone: In 1971 you presented a performance that consisted of being shot (Shoot). Later on you claimed that you…
Ferran Adrià
Nine o’clock in the morning and I meet Ferran Adrià inside the Sagrada Familia. He tells me that he loves…
Biennial Manifesto
“A twenty-first-century biennial will utilize calculated uncertainty and conscious incompleteness to produce a catalyst for invigorating change whilst always producing…
I Can’t Play Guitar
I condemned myself to a life of collaboration when I bought a guitar and formed a band but decided to…
Hernan Bas
Maurizio Cattelan: So, you’re in Detroit at the moment? Hernan Bas: Yup, the house I bought up here is almost…
Michal Helfman
Yael Bergstein: Over the last few years your work has transitioned from installations featuring scenes of fixed occurrence to installations…
Re: Diaspora
Nicola Trezzi: Daniel, when I approached you about this feature you replied saying the title was a pertinent issue for…