Vanessa Beecroft
Massimiliano Gioni: Let’s go right back to the beginning, to your first show, where you presented a book that listed…
Magazine Articles
Deimantas Narkevicius
Hans Ulrich Obrist: My first question is about your beginnings — where did your work start and how did you…
Killing Me Softly
LIFE: A USER’S MANUAL Karl J. Volk, New York: I am afraid that I do not know who Maurizio Cattelan…
Political Minimalism
During the 8th Istanbul Biennial in 2003 artist collective Xurban exhibited what appears to be a minimalist, untreated, rusty metal…
Painting Epiphany
Originally published in Flash Art International no. 200, May – June 1998. When the paintings of John Currin were first…
Reinhard Mucha
You cannot escape from the world more certainly than through art, and you cannot bind yourself to it more certainly…
Into Me/Out of Me
I am sitting on the bank of the River Ganges and I am stuffing everything I see into my head……
Kutlug Ataman & Atom Egoyan
I arrive 30 minutes late. It is one of those mornings where you get out of the house on time…
Here and Now
Choosing a way to arrive in London, or worse, how to get into London itself, is no less complicated than…
Expanding the City
“I’m glad London’s become what it is today,” an artist told me recently, “But I can’t get my head around…
Mike Nelson
Michele Robecchi: Your installations are very intense but never too busy. They seem to preserve a minimal quality. Mike Nelson:…
Cy Twombly
Rome is my life; it’s my home, my stable dwelling, the place of the consummation of my life. …
Paul Chan
Maurizio Cattelan: You look great. Paul Chan: Thank you. MC: Before we start, I would like to give you something.…
Rudolf Stingel
For the 55th Carnegie International, Rudolf Stingel has produced two new large gold-hued paintings with a subtle pattern repeated across…
In Media Res
There is no sign of an end to media penetration in our lives: the victorious progress continues. So, thanks to…
Apichatpong Weerasethakul
Whether full-length features or shorter art projects, the magnetism of Apichatpong Weerasethakul’s films does not rely on their intricate narratives,…