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F for fair and BCAM for Broad Contemporary Art Museum As I write this, LA galleries are already preparing for…
F for fair and BCAM for Broad Contemporary Art Museum As I write this, LA galleries are already preparing for…
The theme of climate change has enjoyed the worldwide priority it deserves since the UN published its shocking first world…
At the 5th Berlin Biennial, Melvin Moti showed his recent film E.S.P. (2007) at the Neue Nationalgalerie together with a…
Norman Rosenthal: What is art to you? And it’s function in the world? Matthew Stone: I believe that every action…
Giancarlo Politi: What does this Büro der Organisation für direkte Demokratie durch Volksabstimmung (Bureau for Direct Democracy), which you’ve installed…
Francesco Bonami: Do you still think that Manhattan is the center of the culture of congestion? Rem Koolhaas: It is…
After an almost three-year break, during which he curated, along with Gioni and Subotnick, the 4th Berlin Biennial (a real…
Hans Ulrich Obrist: What were the trends in the Academy? Carla Accardi: The Academy’s trends focused on Italian art, while…
Art is finally returning to its internal motives, the reasons which constitute its workings, its place par excellence, the labyrinth…
At the beginning of December 1961, John Cage explained a passage from his book Silence starting with La Monte Young’s…
Maurizio cattelan: The first exhibition… you had it in Denmark, right? Not in Denmark… so where did you have it?…
Helena Kontova: You’ve been Conceptual artists, then you were Body artists, and now working together you talk about “Art Vital.”…
Americans, like most other people, admire families who have succeeded in accumulating and preserving wealth. But it’s not just wealth…
Robert Pincus-Witten: Are there important issues, or perceptions of criticality, that should be addressed in the discussion around your work,…
Hans Haacke: I never quite understood what my work has to do with Conceptual art, unless this label is applied…
Letter signed by Robert Morris written on the occasion of Documenta 5, published in Flash Art n°32-33-34, 1972